2025年11月13日至14日，广州美术学院“文化遗产保护与管理国际学术论坛”在大学城校区举行。
From November 13th to 14th, 2025, the "International Academic Forum on Cultural Heritage Conservation and Management" of Guangzhou Academy of Fine Arts (GAFA) was held at the University Town Campus.
参加本次论坛的国际嘉宾有：法国巴黎索邦大学荣誉教授多米尼克·普洛、荷兰文化遗产局研究员高蒂尔·帕坦、法国国家遗产学院纸本修复负责人瓦莱丽・李、英国牛津大学博德利图书馆纸张保护部主任玛丽尼塔·施蒂格利茨、德国汉堡大学手稿文化研究中心首席研究员阿格涅斯卡·赫尔曼-瓦兹尼。
International guests attending this forum included: Dominique Poulot, Emeritus Professor of Sorbonne University in Paris, France; Gauthier Patin, Researcher of Cultural Heritage Agency of the Netherlands; Valérie Lee, Dean of the Book and Paper Conservation Program at the National Institute of Patrimony, France; Marinita Stiglitz, Head of Paper Conservation, Bodleian Libraries, University of Oxford, UK; and Agnieszka Helman-Wanży, Principle Investigator of Centre for the study of Manuscript Cultures, University of Hamburg, Germany.
国内演讲嘉宾有：中国文化遗产研究院原副院长、二级研究员詹长法，北京故宫博物院文保修复部主任屈峰，敦煌研究院保护研究所所长于宗仁，广东省博物馆党委委员、文物保护科技中心主任张欢，复旦大学文物与博物馆学系教授陈刚，四川大学历史文化学院教授罗雁冰，上海博物馆文物保护科技中心研究馆员熊樱菲，中国国家博物馆文保院油画修复研究所所长赵丹丹，广州市文物考古研究院副院长吕良波，广州艺术博物院文物保护修复部主任张尚欣，澳门城市大学城市与可持续发展研究院副教授黄广，香港故宫文化博物馆藏品修复主任吕智超，安盛艺术品保险中国区总监施珺。
Domestic speakers included: Zhan Changfa, former Deputy Director of the Chinese Academy of Cultural Heritage, Senior Researcher; Qu Feng, Deputy Director of Department of Conservation Science, the Palace Museum, Beijing; Yu Zongren, Director of the Conservation Institute, Dunhuang Academy; Zhang Huan, Director of Center for Conservation Science, Guangdong Museum; Chen Gang, Professor of the Department of Cultural Heritage and Museology, Cultural Heritage Conservation Research Center, Fudan University; Luo Yanbing, Professor of the College of History and Culture of Sichuan University; Xiong Yingfei, Researcher of Center for Conservation Science, Shanghai Museum; Zhao Dandan, Researcher of Oil Painting Restoration Department, Institute of Cultural Heritage Conservation, National Museum of China; Lyu Liangbo, Deputy Director of Guangzhou Municipal Institute of Cultural Heritage and Archaeology; Zhang Shangxin, Director of Institute of Cultural Heritage Conservation and Restoration, Guangdong Museum of Art; Huang Guang, Associate Professor of Institute of Urban and Sustainable Development, City University of Macau; Lyu Zhichao, Conservator of the Hong Kong Palace Museum; and Shi Jun, Director of AXA Art Insurance, China.
省内文博机构代表有：广东美术馆副馆长胡锐韬、广州艺术博物院馆长罗奇、深圳市当代艺术与城市规划馆馆长颜为昕、深圳美术馆馆长朱建军、关山月美术馆馆长陈俊宇、农讲所纪念馆书记黎淑莹、辛亥革命纪念馆馆长欧阳旦霓、孙中山大元帅府纪念馆文物保护管理部副主任周嫦妮、鸦片战争博物馆副馆长孙广平、广州十三行博物馆馆长章荣玲。
Representatives from cultural and museum institutions within the province included: Hu Ruitong, Deputy Director of the Guangdong Museum of Art; Luo Qi, Director of the Guangzhou Museum of Art; Yan Weixin, Director of the Shenzhen Museum of Contemporary Art and Urban Planning; Zhu Jianjun, Director of the Shenzhen Art Museum; Chen Junyu, Director of the Guan Shanyue Art Museum; Li Shuying, Secretary of Mao Zedong Comrade Host National Institute of Peasant Movement Former Site Memorial Hall; Ouyang Danni, Director of the Memorial Hall of 1911 Revolution; Zhou Changni, Deputy Director of the Cultural Relics Protection and Management Department of the Memorial Museum of Generalissimo Sun Yat-sen’s Mansion; Sun Guangping, Deputy Director of the Opium War Museum; and Zhang Rongling, Director of the Guangzhou Thirteen Hongs Museum.
校内领导和专家有：广州美术学院院长范勃；副院长蔡拥华；党政办主任林丰；科研创作部部长谢璇、副部长李芃；国际交流合作部部长、湾区创新学院院长伍端，湾区创新学院党总支书记兼副院长岑君豪，副院长何夏昀；文化遗产保护与管理学院党总支书记兼副院长张体，副院长贾鹏和广美特聘教授克劳德·拉罗克、安德里亚・纳内蒂等。参加会议的还有国内兄弟院校、科研院所专家学者、媒体嘉宾及广美师生等共约600人。会议由蔡拥华主持。
The school's leaders and experts included: Fan Bo, President of Guangzhou Academy of Fine Arts; Cai Yonghua, Vice President; Lin Feng, Director of the Party and Government Office; Xie Xuan, Director of the Scientific Research and Creation Department; Li Peng, Deputy Director; Wu Duan, Director of the Foreign Affairs Office and Dean of the Innovation School of Greater Bay Area; Cen Junhao, Party Secretary and Vice Dean of the Innovation School of Greater Bay Area; He Xiayun, Vice Dean of the Greater Bay Area Innovation Academy; Zhang Ti, Party Secretary and Vice Dean of the School of Cultural Heritage Conservation and Management; Jia Peng, Vice Dean of the School of Cultural Heritage Conservation and Management; and Claude Laroque and Andrea Nanetti, Distinguished Experts of Guangzhou Academy of Fine Arts. Approximately 600 people attended the meeting, including experts and scholars from other domestic universities and research institutions, media guests, and faculty and students from Guangzhou Academy of Fine Arts. The meeting was chaired by Cai Yonghua.
范勃在致辞中表示希望以此次研讨会为起点，通过跨学科互鉴与中外视野交融，共同构建兼具国际共识与中国特色的文化遗产保护科研与教学体系，为高校和文保行业的深度融合、国际与国内的对话互动、艺术与科技的双向赋能贡献“广美”特色的智慧与力量。
In his speech, Fan Bo expressed his hope that this seminar would serve as a starting point to jointly build a cultural heritage protection research and teaching system that combines international consensus with Chinese characteristics through interdisciplinary mutual learning and the integration of Chinese and foreign perspectives. He also hoped that this would contribute the wisdom and strength of the Guangzhou Academy of Fine Arts to the deep integration of universities and the cultural heritage protection industry, the dialogue and interaction between the international and domestic communities, and the two-way empowerment of art and technology.
克劳德·拉罗克在致辞中引用了中国谚语“单丝不成线，独木不成林”，感谢各方力量对本次国际论坛的大力支持，并坚信多元协作将是未来应对文化遗产保护挑战的关键所在。
In his address, Claude Laroque quoted the Chinese proverb "A single thread cannot make a line, and a single tree cannot make a forest," expressing his gratitude for the strong support from all parties for this international forum and his firm belief that multi-faceted collaboration will be key to addressing the challenges of cultural heritage protection in the future.
蔡拥华主持
Cai Yonghua presided over the meeting.
开幕式上举行了广州美术学院与粤港澳大湾区文博机构合作的启动仪式，未来广美将与广东省博物馆、广东美术馆、广州艺术博物院、深圳市当代艺术与城市规划馆、深圳美术馆、关山月美术馆、农讲所纪念馆、辛亥革命纪念馆、孙中山大元帅府纪念馆、鸦片战争博物馆、广州市文物考古研究院、广州十三行博物馆等文博单位就推动区域文化传承与创新，建立长期、稳定且深入的学术合作与交流机制，搭建跨领域、多层次的协同创新平台，共同促进粤港澳大湾区文化遗产保护与管理事业发展。
The opening ceremony launched a collaboration between the Guangzhou Academy of Fine Arts and cultural institutions in the Guangdong-Hong Kong-Macao Greater Bay Area. In the future, GAFA will collaborate with institutions such as Guangdong Museum, Guangdong Museum of Art, Guangzhou Museum of Art, Shenzhen Museum of Contemporary Art and Urban Planning, Shenzhen Art Museum, Guan Shanyue Art Museum, Mao Zedong Comrade Host National Institute of Peasant Movement Former Site Memorial Hall, Memorial Hall of 1911 Revolution, Memorial Museum of Generalissimo Sun Yat-sen’s Mansion, Opium War Museum, Guangzhou Municipal Institute of Cultural Heritage and Archaeology and Guangzhou Thirteen Hongs Museum to promote regional cultural heritage and innovation. This collaboration will establish a long-term, stable, and in-depth academic cooperation and exchange mechanism, build a cross-disciplinary and multi-level collaborative innovation platform, and jointly promote the development of cultural heritage protection and management in the Guangdong-Hong Kong-Macao Greater Bay Area.
在为期两天的学术论坛中，来自国内外相关领域二十位专家围绕“保护修复研究与教育”“文化遗产管理”“保存科学”三大议题发表演讲。
During the two-day academic forum, twenty experts from relevant fields at home and abroad delivered speeches on three major topics: “Conservation and Restoration Research and Education”, “Cultural Heritage Management”, and “Conservation Science”.
詹长法的演讲题目是《气候变化与预防性保护的科学方法体系》。系统阐述了气候变化对文化遗产带来的威胁，提出以预防性保护为核心的科学应对体系。他还呼吁加强跨部门协作、推动标准建设、深化国际合作，指出要重视遗产价值的公共阐释与社会参与，利用数字化保护提升文化遗产可持续发展能力。
Zhan Changfa's speech was titled "A Scientific Methodological Framework for Preventive Conservation in response to Climate Change." He systematically elaborated on the threats posed by climate change to cultural heritage and proposed a scientific response system centered on preventive protection. He also called for strengthened inter-departmental collaboration, the promotion of standards development, and the deepening of international cooperation, emphasizing the importance of public interpretation and social participation in heritage value, and utilizing digital protection to enhance the sustainable development capacity of cultural heritage.
多米尼克・普洛的演讲题目是《现代博物馆管理中的难点问题》。提出了当代博物馆管理目标和责任归属的复杂属性，强调当代博物馆管理目标的制定已从内部专业判断转变为国家审计、公众期望与经济逻辑共同作用的结果。
Dominique Poulot's lecture was titled "The Challenges of Contemporary Museum Management." He highlighted the complex nature of contemporary museum management goals and accountability, emphasizing that the formulation of contemporary museum management goals has shifted from internal professional judgment to the result of a combination of national audits, public expectations, and economic logic.
屈峰的演讲题目是《故宫文物保护修复概况》。阐述了故宫博物院文物保护与修复近百年发展，逐步构建出“科技研究—保护修复—标准制定”的文保体系，体现了中国在文化遗产保护领域的传承与创新。
Qu Feng's speech was titled "Overview of Cultural Heritage Conservation and Restoration at the Palace Museum." He elaborated on the nearly century-long development of the Palace Museum's conservation and restoration of cultural heritage, gradually establishing a comprehensive conservation system encompassing "scientific research—conservation and restoration—standard setting," reflecting China's inheritance and innovation in the field of cultural heritage protection.
安德里亚・纳内蒂的演讲题目是《将遗产科学融入可持续文化遗产管理框架》。他强调文化遗产科学作为多学科交叉领域，跨领域协作的重要性不言而喻，并提出一种综合模型，将科学的精准性与文化价值相结合，以增强文化遗产的韧性与可持续性。
Andrea Nanetti's presentation was titled "Integrating Heritage Science into the Context of Sustainable Cultural Heritage Management." He emphasized the paramount importance of interdisciplinary collaboration in cultural heritage science, and proposed a comprehensive model that combines scientific precision with cultural value to enhance the resilience and sustainability of cultural heritage.
张欢的演讲题目是《海洋出水瓷器表面凝结物激光清洗研究》。以“南澳Ⅰ号”明代沉船出水瓷器为对象，强调激光清洗为不可逆过程，系统性地探讨了激光清洗在文物保护中的应用与安全性问题。
Zhang Huan's presentation was titled "Study on Laser Cleaning of Surface Concretions on Marine Excavated Porcelain." Using porcelain recovered from the Ming Dynasty shipwreck "Nanao No. 1" as an example, the presentation emphasized that laser cleaning is an irreversible process and systematically explored its application and safety in cultural relic preservation.
高蒂尔・帕坦的演讲题目是《微褪色光度计法在博物馆中的应用》。聚焦于文化遗产光致色变及“微褪色测定法”应用，该技术可在显微尺度上监测文物颜色变化，利用微褪色数据帮助博物馆在公众可见性与文物保护之间实现科学平衡。
Gauthier Patin's presentation was titled "Microfading Measurements and Its Application in Museums." It focused on the photochromic changes in cultural heritage and the application of the "microfading measurement method," a technique that can monitor color changes in artifacts at a microscopic scale. This microfading data helps museums achieve a fine balance between public visibility and artifact preservation.
于宗仁的演讲题目是《千年色彩的科学密码：莫高窟壁画制作材料与多元分析技术》。报告梳理了敦煌莫高窟砂砾岩支撑、地仗层纤维及矿物颜料体系，并对建立原位无损与小样品分析结合的技术方法进行了深刻阐述，强调要发展智能监测与风险预警，实现科学保护与公众共享。
Yu Zongren's lecture was titled "The Scientific Code of Millennial-old Pigments: Materials and Multi-Technical Analysis of Mogao Grottoes Murals." The report analyzed the sandstone and conglomerate support, ground layer fibers, and mineral pigment systems of the Mogao Grottoes in Dunhuang, and provided an in-depth explanation of the technical methods combining in-situ non-destructive testing with small-sample analysis. It emphasized the need to develop intelligent monitoring and risk early warning systems to achieve scientific protection and public accessibility.
熊樱菲的演讲题目是《陶瓷文物的科技检测研究进展》。她梳理了常用检测方法，概述病害类型与评估方式，展示多技术联合分析在确定修复依据、恢复原貌中的作用，并结合案例，探讨其腐蚀机理及未来保护与复原思路。
Xiong Yingfei's presentation was titled "Advances in Scientific Analysis and Testing of Ceramic Cultural Heritage." She outlined commonly used testing methods, summarized the types of damage and assessment methods, demonstrated the role of multi-technology combined analysis in determining the basis for restoration and restoring the original appearance, and discussed the corrosion mechanism and future protection and restoration strategies using case studies.
玛丽尼塔・施蒂格利茨的演讲题目是《日本书籍：纸张、色彩与光泽》。聚焦日本古籍材质与工艺，强调纤维选择、抄纸与干燥等关键环节及特性，及传统颜料体系及其动物胶黏合方式对色彩稳定性的影响，并解析了金银等贵金属装饰与染色技法在书籍美学中的应用。
Marinita Stiglitz's lecture was titled "The Japanese Book: Paper, Color, and Lustre." She focused on the materials and craftsmanship of ancient Japanese books, emphasizing key aspects and characteristics such as fiber selection, papermaking, and drying, as well as the impact of traditional pigment systems and animal glue bonding methods on color stability. She also analyzed the application of precious metal decoration and dyeing techniques, such as gold and silver, in book aesthetics.
陈刚的演讲题目是《纸质文物修复用纸的现状与问题》。回顾修复用纸的生产、使用现状，探讨供需、技术、生产等方面目前存在的问题，结合现有修复用纸的改良生产实例，提出了修复用纸的发展新思路。
Chen Gang's speech was titled "Current Status and Challenges of Papers Used in the Conservation of Paper-Based Cultural Heritage." He reviewed the current state of restoration paper production and usage, discussed existing problems in supply and demand, technology, and production, and proposed new ideas for the development of restoration paper based on examples of improved production methods.
阿格涅斯卡・赫尔曼-瓦兹尼的演讲题目是《纸张分析的方法论》。她以亚欧纸张与手稿为案例，对纸张作为复杂材料的历史与工艺演变进行探讨，强调在评估纸张质量时，可以通过多种分析技术，综合考察其原料、生产技术、美学特征及其在特定历史时期中被设计和使用的目的。
Agnieszka Helman-Ważny's lecture was titled "Methodological Approaches to Paper Analysis." Using Eurasian paper and manuscripts as case studies, she explored the history and technological evolution of paper as a complex material, emphasizing that when assessing paper quality, a variety of analytical techniques can be used to comprehensively examine its raw materials, production technology, aesthetic characteristics, and the purpose for which it was designed and used in a specific historical period.
罗雁冰的演讲题目是《关于清代蜡笺纸制作工艺的初步研究》。通过多学科分析揭示清代蜡笺纸的材料与工艺特色，证实其制作材料体系融合了染色、涂蜡、研光、洒金银等复合工艺，兼具本土与外来元素。
Luo Yanbing's lecture was titled "A Preliminary Study of the Manufacturing Techniques of Qing Dynasty Waxed Decorative Paper." Through multidisciplinary analysis, the lecture revealed the material and technological characteristics of waxed paper in the Qing Dynasty, confirming that its production material system integrated composite processes such as dyeing, waxing, polishing, and gold and silver sprinkling, incorporating both local and foreign elements.
赵丹丹的演讲题目是《综合光谱技术在大幅面油画颜料识别和创作技法分析上的应用研究》。针对馆藏大幅面油画保护研究中的难点，研究团队构建基于综合光谱技术的“面－点－面”高效分析流程，通过整合多模态成像技术与精密点分析技术，系统性地解析了油画的颜料种类、分布及其创作技法，为大幅面油画的分析和保护提供了强有力的技术支撑。
Zhao Dandan's presentation was titled "Research on the Application of Comprehensive Spectral Technology in the Identification of Large-Format Oil Paintings and Analysis of Creative Techniques." Addressing the challenges in the conservation research of large-format oil paintings in museum collections, the research team constructed an efficient "surface-point-surface" analysis process based on comprehensive spectral technology. By integrating multimodal imaging technology with precise point analysis technology, they systematically analyzed the types and distribution of pigments in oil paintings and their creative techniques, providing strong technical support for the analysis and conservation of large-format oil paintings.
吕良波的演讲题目是《脆弱青铜文物保护修复与研究——以广州地区出土脆弱青铜器为例》。他以广州地区出土的脆弱青铜器为对象，开展保存状况评估、腐蚀机理研究及保护修复技术探索，为高湿地区脆弱金属文物的预防性保护与修复实践提供重要技术支撑与理论依据。
Lyu Liangbo's lecture was titled "Conservation and Research on Fragile Bronze Artifacts: A case study of Excavated Bronzes from the Guangzhou Region." He focused on fragile bronze artifacts unearthed in Guangzhou, conducting assessments of their preservation status, researching corrosion mechanisms, and exploring conservation and restoration techniques. This provides important technical support and theoretical basis for the preventative conservation and restoration of fragile metal cultural relics in high-humidity areas.
张尚欣的演讲题目是《保护修复中文物价值挖掘的思考》。他指出文物保护工作不仅是维护文物的物质形态，更是一个“透物见人”的过程，核心在于挖掘与阐释文物所承载的历史、科技、艺术及文化价值，揭示先民的智慧与精神。
Zhang Shangxin's speech was titled "Reflections on Uncovering and Interpreting the Value of Cultural Heritage in the Process of Conservation." He pointed out that cultural heritage protection is not only about maintaining the material form of cultural relics, but also a process of "seeing people through objects." The core lies in exploring and interpreting the historical, technological, artistic, and cultural values carried by cultural relics, revealing the wisdom and spirit of our ancestors.
施珺的演讲题目是《文物艺术品风险管理：从预防到应对》。着重分析了艺术品主要风险及管理策略，通过理赔案例说明保险在风险转移与修复工作中的作用，提出以专业供应商、规范操作和保险保障为核心的多层次风险管理体系。
Shi Jun's presentation was titled "Risk Management for Cultural Heritage and Artworks: From Prevention to Response." She focused on analyzing the main risks associated with artworks and corresponding management strategies, illustrating the role of insurance in risk transfer and restoration through claims cases, and proposing a multi-layered risk management system centered on professional suppliers, standardized operations, and insurance coverage.
瓦莱丽・李的演讲题目是《跨越文化的轨迹：法国文化遗产学院（INP）在纸张保护教学中融合东西方之法》。她分享了自己在中西方修复体系中的经验，强调跨文化训练与教育对培养具全球视野与文化责任感的年轻修复师至关重要。她以当前与中国合作的研究项目为例，强调文物保护是技术、知识与文化的持续对话。
Valérie Lee's lecture was titled "Tracing Lines Across Cultures: Integrating Asian and Western Approaches to Teaching Paper Conservation at the National Institute of Patrimony (INP) in France." She shared her experiences within both Eastern and Western restoration systems, emphasizing the crucial role of cross-cultural training and education in cultivating young restorers with a global perspective and cultural responsibility. Using a current research project in collaboration with China as an example, she stressed that cultural heritage conservation is an ongoing dialogue between technology, knowledge, and culture.
黄广的演讲题目是《澳门建筑文化遗产保护及专业建设探索》。他提出澳门历史城区作为中西文化交融的独特见证，保护工作面临多重挑战，需要从风险识别评估、材料研发及多层次人才培养体系建设三个方面系统性规划保护思路，实现文化遗产的科学化、精准化保护，为文保事业提供持续的人才支持。
Huang Guang's speech was titled "Conservation of Macau’s Architectural Heritage Conservation Professionals in Museums." He pointed out that the Historic Centre of Macao, as a unique witness to the integration of Chinese and Western cultures, faces multiple challenges in its protection. He emphasized the need for a systematic approach to protection, encompassing risk identification and assessment, material development, and the establishment of a multi-level talent training system. This approach aims to achieve scientific and precise protection of cultural heritage and provide continuous talent support for the cause of cultural heritage preservation.
吕智超的演讲题目是《浅谈在博物馆工作中培养文物保护人才的实践》。他以香港故宫文化博物馆为例，分享了馆内日常工作中系统性培养文物保护人才的实践与初步进展，并将继续探索并拓展人才培养的路径。
Lyu Zhichao's speech was titled "Practical Approaches to Cultivating Cultural Heritage Conservation Professionals in Museum." Using the Hong Kong Palace Museum as an example, he shared the museum's systematic approach to cultivating cultural heritage conservation talents in its daily operations, highlighting its initial progress and its continued exploration and expansion of talent cultivation pathways.
贾鹏的演讲题目是《项目驱动、全球视野：构建文化遗产保护国际化与项目化协同教学体系》。他表示，广美文化遗产保护与管理学院立足广东作为中西文化交汇点的地域优势，致力通过“国际资源+真实项目+跨学科课程”的三维联动，搭建起“国际化”与“项目化”并行的教学体系，实现文化遗产保护教育从课堂到现场、从本土到全球的贯通。
Jia Peng's speech was titled "Project-Driven with a Global Vision: Building an International and Project-Based Collaborative Teaching System for Cultural Heritage Conservation." He stated that the School of Cultural Heritage Conservation and Management at the Guangzhou Academy of Fine Arts, leveraging Guangdong's geographical advantage as a crossroads of Chinese and Western cultures, is committed to building a teaching system that combines "internationalization" and "project-based learning" through a three-dimensional linkage of "international resources + real projects + interdisciplinary courses," thereby achieving a seamless integration of cultural heritage protection education from the classroom to the field, and from local to global perspectives.
本次论坛是广州美术学院文化遗产保护与管理学院成立以来的首次重要国际学术活动，齐聚海内外文化遗产保护领域知名专家学者，就前沿创新技术、行业发展趋势、专业人才培养展开深入研讨，共同探索文化遗产保护的新思路、新方法、新路径，为中国特色文化遗产保护方案提供新的视野与可能。
This forum marks the first major international academic event since the establishment of the School of Cultural Heritage Conservation and Management at the Guangzhou Academy of Fine Arts. It brings together renowned experts and scholars in the field of cultural heritage conservation from home and abroad to conduct in-depth discussions on cutting-edge innovative technologies, industry development trends, and the cultivation of professional talents. Together, they will explore new ideas, methods, and paths for cultural heritage conservation, providing new perspectives and possibilities for cultural heritage conservation solutions with Chinese characteristics.
