6月5日至12日，广州美术学院2024届本科生、研究生毕业作品展第二期在广州美术学院大学城美术馆、广州美术学院美术馆（昌岗校区）展出。这里是年轻表达者的集结，打破无形而坚硬的边界；这里闪耀精神和思考的霓虹，看关于未来的探索与对话随处发生。
From June 5 to 12, the second phase of the 2024 undergraduate and graduate graduation works exhibition of Guangzhou Academy of Fine Arts was exhibited at the Guangzhou Academy of Fine Arts University Town Art Museum and Guangzhou Academy of Fine Arts Art Museum (Changgang Campus). This is a gathering of young expressers, breaking the invisible and hard boundaries; here the neon of spirit and thinking shines, and you can see exploration and dialogue about the future happening everywhere.
本科生毕业作品展
Undergraduate Graduation Exhibition
展览现场直击
Live
展览作品速递
Exhibition Works Express
跨媒体艺术学院
School of Transmedia
作者姓名：陈静
Author: Chen Jing
作品名称：《从海岛到内陆——4627米》
Title: From the island to the inland - 4627 meters
指导老师：刘庆元、仰民、周钦珊
Supervisors: Liu Qingyuan, Yang Min, Zhou Qinshan
作品说明：“从海岛到内陆——4627米”指的是作者每次离开家乡海陵岛要经过4627米海陵大堤，这是通往她求学的路，也是海岛与内陆的必要连接线。作者想让更多人了解海陵大堤的历史及其变化给人带来的情绪感受，在创作过程中运用了影像、摄影、绘画、拓印等多种媒介进行融合，通过不断推演、层层递进，推动图像生产整合意识。作者以自己当下的生活场所和情感记忆进行创作，用艺术创作来回应来自家乡的场地记忆与情感编织。
Introduction: "From the island to the inland - 4627 meters" refers to the 4627-meter Hailing Dam that the author has to pass every time she leaves her hometown Hailing Island. This is the way to her school and the necessary connection between the island and the inland. The author wants more people to understand the history of the Hailing Dam and the emotional feelings it brings to people. In the creative process, she used a variety of media such as images, photography, painting, and rubbings to integrate them. Through continuous deduction and progressive progress, she promoted the awareness of image production integration. The author creates based on her current living place and emotional memory, and uses artistic creation to respond to the site memory and emotional weaving from her hometown.
作者姓名：邵科
Author: Shao Ke
作品名称：《派对后的回响》
Title: "After-party Echoes"
指导老师：吴伟烨、陈洁、冯丹蕾
Supervisors: Wu Weiye, Chen Jie, Feng Danlei
作品说明：社交降级，是指个体或群体在社交活动中主动选择减少社交频率、简化社交关系或选择性地与人交往的现象。当前人们社交生活中社交降级的特点日益凸显，本作品试图捕捉并分析这种变迁的过程，以及它如何影响个体的社交体验和情感世界。
作品聚焦于一个生日派对结束后的室内场景，人们即将回到自己的生活中，更加关注自己的内心需求和感受，追求更加真实和有意义的生活方式。通过具体的场景描绘，试图展现过去及现在人们因各种原因而渐行渐远的现象，以及这种现象如何导致社交网络的缩小和人际关系的弱化。作品希望能够引发观众以积极、理性的心态和行动应对社交关系的疏离，更好地处理人际关系的变化，建立更健康、持久的人际关系。
Introduction: Social degradation refers to the phenomenon that individuals or groups actively choose to reduce the frequency of social activities, simplify social relationships, or selectively interact with others in social activities. The characteristics of social degradation in people's social lives are becoming increasingly prominent. This work attempts to capture and analyze the process of this change and how it affects the individual's social experience and emotional world.
The work focuses on an indoor scene after a birthday party, when people are about to return to their own lives, pay more attention to their inner needs and feelings, and pursue a more real and meaningful lifestyle. Through the depiction of specific scenes, it attempts to show the phenomenon of people drifting apart for various reasons in the past and present, and how this phenomenon leads to the shrinking of social networks and the weakening of interpersonal relationships. The work hopes to inspire the audience to respond to the alienation of social relationships with a positive and rational attitude and action, better deal with changes in interpersonal relationships, and establish healthier and more lasting interpersonal relationships.
作者姓名：葉潼，马星玙，胡天
Authors: Ye Tong, Ma Xingyu, Hu Tian
作品名称：《我们他们》
Title: We and Them
指导老师：周文华，劳业辛、丁晓玲、李文华
Supervisors: Zhou Wenhua, Lao Yexin, Ding Xiaoling, Li Wenhua
作品说明：作品基于生态中心论为研究基础，在动物的角度探索人类与非人类动物的平等与共生关系。分别由绘本故事《妈妈好爱鸭》及纤维装置《永恒的瞬间》组成整体呈现。绘本内容以鸭子的视角描绘被人类领养且摆脱被食用的宿命展开，记录了鸭子和人类的相处日常。装置场景基于绘本故事中更浓缩的情感与瞬间，四个装置主题分别为“希望”“小满” “陪伴”与“疗愈”，寄托了作者对宠物的感情以及对生命的信念，同时四个场景分别采用了春夏秋冬对应的色彩，代表生命与自然。作品通过绘本讲故事，再以纤维为媒介，以装置为载体，呈现人与动物的美好相处瞬间，带出人与自然共享、共融、共生的状态，引发观众的共鸣。
Introduction: The work is based on ecocentrism and explores the equality and symbiotic relationship between humans and non-human animals from the perspective of animals. It is presented as a whole by the picture book story "Mom Loves Ducks" and the fiber installation "Eternal Moments". The picture book content describes the ducks being adopted by humans and escaping the fate of being eaten from the perspective of ducks, and records the daily life of ducks and humans. The installation scenes are based on the more concentrated emotions and moments in the picture book stories . The four installation themes are "Hope", "Xiaoman", "Companionship" and "Healing", which express the author's feelings for pets and his belief in life. At the same time, the four scenes use the corresponding colors of spring, summer, autumn and winter, representing life and nature. The work tells stories through picture books, and then uses fibers as a medium and installations as a carrier to present the beautiful moments of human and animal coexistence, bringing out the state of sharing, integration and symbiosis between humans and nature, which resonates with the audience.
作者姓名：吴迪
Author: Wu Di
作品名称：《沙、石头和树》
Title: Sand, Stone and Tree
指导老师：刘庆元、仰民、周钦珊
Supervisors: Liu Qingyuan, Yang Min, Zhou Qinshan
作品说明：作者走到开阔的自然环境中，到海岛倾听海浪拍打礁石，抚摸窸窣的沙地，感受咸湿的空气，跟随自然的指引和身体的直觉，在自然空间中制造各种痕迹。
作者在身体展演的过程中，意识高度集中，她把自己当作一面镜子，试图与自然融为一体。这其中伴随着偶发，尽管作者有意识地控制身体，保持形态，但总是无法避免各种不确定的因素，需要不断调整身体以及精神状态，通过身体与自然的对抗拉扯回应生活。
Introduction: The author walked into the open natural environment, went to the island to listen to the waves hitting the rocks, touched the rustling sand, felt the salty and humid air, followed the guidance of nature and the intuition of the body, and created various traces in the natural space.
During the performance, the author is highly focused, and she regards herself as a mirror, trying to blend into nature. This is accompanied by accidents. Although the author consciously controls her body and maintains her shape, she cannot avoid various uncertain factors. She needs to constantly adjust her physical and mental state and respond to life through the confrontation and pull between her body and nature.
作者姓名：冼宝荧
Author: Xian Baoying
作品名称：《我*你》
Title: I*You
指导老师：夏圳锴、郭宝玉、刘丽华
Supervisors: Xia Zhenkai , Guo Baoyu , Liu Lihua
作品说明：故事讲述的是一对年轻情侣开了一家婚纱摄影写真铺，生意并不景气，于是他们决定开设婚纱照粉碎业务。这项业务让他们看见了很多不同的破碎爱情故事。这个网红业务让他们的收入渐渐稳定，男主向女主求婚，女主拒绝了。她对婚姻本就悲观，加上见过太多狼狈离婚的客户，更加想要逃避婚姻。直到她看见了一张照片，里面的情侣并不被世人认可，但他们互相深爱，即使天人永隔。她意识到珍惜当下的幸福才是最重要的，不能因为对未知的恐惧而放弃追逐幸福的权利和这个深爱她的人。最后，他们决定拍一组婚纱照。
片名“我*你”中间的符号可以是任何字，它可能是“我恨你”，也可以是“我爱你”，也可以只是“我和你”。“我”与“你”之间是什么关系，这只是我们个人的选择，与外界的一切规则无关，只是有关于我和你而已。
Introduction: The story tells about a young couple who opened a wedding photography and photo studio. The business was not good, so they decided to start a wedding photo shredding business. This business allowed them to see many different broken love stories. This online celebrity business gradually stabilized their income. The male protagonist proposed to the female protagonist, but she refused. She was pessimistic about marriage, and she wanted to escape marriage even more after seeing too many clients who divorced in a mess. Until she saw a photo, the couple in the photo was not recognized by the world, but they loved each other deeply, even if they were separated forever. She realized that cherishing the happiness of the moment is the most important thing, and she should not give up the right to pursue happiness and the person who loves her deeply because of the fear of the unknown. In the end, they decided to take a set of wedding photos.
The symbol in the title "I*You" can be any word, it can be "I hate you", "I love you", or just "I and you". What is the relationship between "I" and "you" is just our personal choice, and has nothing to do with any rules of the outside world. It is just about me and you.
工业设计学院
School of Industrial Design
服装与服饰设计系
Department of Fashion and Apparel Design
作者姓名：黄倩欣
Author: Huang Qianxin
作品名称：《花溪·溯》
Title: "Flower Creek: Tracing"
作品材料：双面贡缎、网纱、空气层、醋酸面料
Material: Double-sided satin, mesh, air layer, acetate fabric
作品尺寸：66cmx165cm
Size: 66cmx165cm
指导老师：王文、凌敬淇
Supervisors: Wang Wen, Ling Jingqi
作品介绍：花溪苗族为苗族支系之一，一直保持着独特的服饰风格，在城市化的进程中人们的思想观被改变，少数民族传统服饰及其文化受到巨大的冲击，生活方式的改变也对服饰、技艺、纹样传承造成影响。通过深入研究分析花溪苗族服饰和挑花纹样了解该民族的人文和美学内涵，发掘和弘扬花溪苗族服饰中蕴含的文化内涵，提取花溪最具特色的贯首服元素、背牌绑带、挑花纹样元素以及用色，以此将花溪苗族传统服饰元素与现代服饰相融合，创新应用到现代设计中。
Introduction: Huaxi Miao is one of the branches of Miao, and has always maintained a unique clothing style. In the process of urbanization, people's ideas have changed, and the traditional clothing and culture of ethnic minorities have been greatly impacted. The change in lifestyle has also affected the inheritance of clothing, skills, and patterns. Through in-depth research and analysis of Huaxi Miao clothing and embroidery patterns, we understand the humanistic and aesthetic connotations of this ethnic group, explore and promote the cultural connotations contained in Huaxi Miao clothing, extract Huaxi's most distinctive headwear elements, back straps , embroidery pattern elements and colors, so as to integrate the traditional clothing elements of Huaxi Miao with modern clothing and apply them innovatively to modern design.
作者姓名：胡允
Authors: Hu Yun
作品名称：《来自于》
Title: From
作品材料：真丝面料、棉面料、棉线、五金配饰……
Material: Silk fabric, cotton fabric, cotton thread, hardware accessories...
作品尺寸：80cmx150cm
Size: 80cmx150cm
指导老师：陈嘉健
Supervisor: Chen Jiajian
作品介绍：设计系列的灵感来源于微观世界与宏观世界、人与自然的千丝万缕联系，认识个体与环境的联动，以各种地形地貌与生物组织、人体神经在视觉效果上的关系为启发，进行创意女装设计。
Introduction: The inspiration for the design series comes from the intricate connection between the microscopic world and the macroscopic world, and between man and nature. It recognizes the linkage between the individual and the environment, and is inspired by the visual relationship between various landforms and biological tissues and human nerves to create creative women's clothing designs.
作者姓名：王安然
Author: Wang Anran
作品名称：《纪元之躯》
Title: "Body of the Era"
作品材料：皮革
Material: Leather
作品尺寸：作品1:170cmx60cm；
Size: Work 1: 170cmx60cm;
作品2:120cmx60cm
Work 2:120cmx60cm
指导老师：梁敏、张兆梅
Supervisors: Liang Min, Zhang Zhaomei
作品介绍：作品中机器和身体的融合体现了科技与人类的交融，揭示了人类对科技的依赖和对身体改造的渴望，也对现实社会中科技与人类关系进行反思。在追求科技进步的同时，我们也需要思考如何平衡科技发展和人类尊严，如何保护个体的自由和尊重。
Introduction: The fusion of machine and body in the work reflects the integration of technology and human beings, reveals human beings' dependence on technology and desire for body transformation, and reflects on the relationship between technology and human beings in real society. While pursuing technological progress, we also need to think about how to balance technological development and human dignity, and how to protect individual freedom and respect.
广染织艺术设计系
州Department of Dyeing and Weaving Art Design
美
作者姓名：张乐
Authors: Zhang Le
作品名称：《绮园》
Title: "Qiyuan"
作品材料：羊毛毡
Material: wool felt
作品尺寸：450mm×270mm
Size: 450mm×270mm
指导老师：何文才、吴越齐、谭芷雯
Supervisors: He Wencai, Wu Yueqi, Tan Zhiwen
作品介绍：作品借助羊毛让观者感受自然的亲和力，奇幻的造型、常见的羊毛纤维材料毫无保留地释放“热爱自然的本性”。作品希望让观者发现世界万物的奇妙，在纤维的乐园中感受自然的疗愈力，跟随作品的色彩旋律，靠近自然，欣赏，悦己，在自然艺术中疗愈。
Introduction: The work uses wool to let the viewer feel the affinity with nature. The fantastic shapes and common wool fiber Material unreservedly release the "nature of loving nature". The work hopes to let the viewer discover the wonders of all things in the world, feel the healing power of nature in the paradise of fiber, follow the color melody of the work, get close to nature, appreciate it, please yourself, and heal yourself in the art of nature.
作者姓名：崔枢涵
Author: Cui Shuhan
作品名称：《声音的保质期》
Title: The Shelf Life of Sound
作品材料：羊毛混纺、尼龙
Material: Wool blend, nylon
作品尺寸：3mx1.5m
Size: 3mx1.5m
指导老师：田顺、杨颐
Supervisors: Tian Shun, Yang Yi作品介绍：创作者从毛毯工艺的物理特征出发，以毛毯吸音的特
征和声音交互结合，制作了一套由观众声音影响的互动效果，由其声音频率多少影响声音模型的数量。创作者希望拉近作品与观众之间的距离，拉近观众和声音的距离，更好地感受染织的温度，增加了触摸交互，当手触摸的时候周围所有模型都会聚集在手的位置，与上一个留下声音的观众进行一次跨越时间和空间的交流。
Introduction: Starting from the physical characteristics of blanket craftsmanship, the creator combined the sound absorption characteristics of blankets with sound interaction to create a set of interactive effects affected by the audience's voice, and the frequency of the sound affects the number of sound models. The creator hopes to narrow the distance between the work and the audience, and the distance between the audience and the sound, so as to better feel the warmth of dyeing and weaving. Touch interaction is added. When the hand touches, all the surrounding models will gather at the position of the hand, and communicate with the last audience who left a sound across time and space.
作者姓名：黎馨蔓
Author: Li Xinman
作品名称：《林寨》
Title: "Linzhai"
作品材料：面料、铁网、木头
Material: fabric, iron mesh, wood
作品尺寸：300cmx140cmx100cm
Size: 300cmx140cmx100cm
指导老师：何文才、吴越齐、谭芷雯
Supervisors: He Wencai, Wu Yueqi, Tan Zhiwen
作品介绍：《林寨》通过绗缝艺术表达创作者对自小成长古村的深厚情感和热爱。林寨古村是中国最大的客家四角楼聚集地，作品通过艺术化手法表现斑驳古朴的四角楼和村里的特色景观，希望引起观者的共情，唤起更多人对林寨类似的许许多多古村的关注和保护，让更多人了解、珍视和保护古村，珍藏我们的集体记忆，珍惜百年打磨的文化遗产。
Introduction: Linzhai expresses the author's deep feelings and love for the ancient village where he grew up through quilting art. Linzhai Ancient Village is the largest gathering place of Hakka four-cornered buildings in China. The work uses artistic techniques to show the mottled and simple four-cornered buildings and the characteristic landscape of the village, hoping to arouse the empathy of the viewers and arouse more people's attention and protection for many ancient villages like Linzhai, so that more people can understand, cherish and protect ancient villages, treasure our collective memory, and cherish the cultural heritage polished for a hundred years.
视觉艺术设计学院
School of Visual Arts Design
动画专业
Animation
作者姓名：罗书嬛、王诗婷
Authors: Luo Shuhuan, Wang Shiting
作品名称：《小马尤尼》
Title: "Little Horse Yuni"
作品材料：数字视频
Material: Digital video
作品尺寸：1920×1080p
Size: 1920×1080p
指导老师：廖向荣
Supervisor: Liao Xiangrong
作品介绍：《UNIHORSE》是一部由两人制作的原创二维动画短片，讲述的是一只生活在草原的小马，它有一个明星梦，一个偶然的机会，使它成为了游乐园最受欢迎的旋转木马，很快在社交媒体走红。然而一个偶然的熊孩子碰瓷事件，使得小马突然遭受到了网络舆论的攻击。在不堪其扰之下，小马狂奔回到了他原先生活的草原，继续过起了之前平静的生活。该片旨在通过诙谐幽默的画面风格呼吁人们理智看待网络热点事件，共创绿色健康的网络世界。
Introduction: UNIHORSE is an original 2D animation short film produced by two people. It tells the story of a pony living on the grassland. It has a dream of becoming a star. By chance, it becomes the most popular carousel in the amusement park and quickly becomes popular on social media. However, an accidental incident of a naughty child hitting a car with a porcelain, suddenly makes the pony suffer from the attack of online public opinion. Unable to bear the harassment, the pony ran back to the grassland where he originally lived and continued to live a peaceful life. The film aims to call on people to look at online hot events rationally through humorous pictures and create a green and healthy online world.
作者姓名：陈玉薇、彭雅琳、许之琮、张晓玲
Authors: Chen Yuwei, Peng Yalin, Xu Zhicong, Zhang Xiaoling
作品名称：《拂晓》
Title: Dawn
作品材料：数字媒介
Material: Digital media
作品尺寸：1920×1080p
Size: 1920 × 1080 p
指导老师：陈菲仪
Supervisor: Chen Feiyi
作品介绍：本片以找回初心，双向救赎为主题。以修复音乐节热气球为故事主体，讲述音乐节上一个被曾经被偶像乐队激励过的女孩帮已经过气、士气不在的偶像乐队找回一点点小希望的故事，最终的结果是“坏”的，但也是最“好”的。
Introduction: This film is about finding the original intention and two-way redemption. The story is about repairing a hot air balloon at a music festival. It tells the story of a girl who was once inspired by an idol band and helped an idol band that had already lost its morale to regain a little hope. The final result is "bad", but also the "best".
作者姓名：黎海蓝、肖羽洁、郑周捷
Authors: Li Hailan, Xiao Yujie, Zheng Zhoujie
作品名称：《单机行家》
Title: "Standalone Expert"
作品材料：塑料、亚克力、木板、显示屏
Material: plastic, acrylic, wood, display screen
作品尺寸：展陈(8m×3m)、展台(170cm×70cm×80cm)
Size: Exhibition (8m × 3m), Booth (170cm × 70cm × 80cm)
指导老师：黄军花
Supervisor: Huang Junhua
作品介绍：单机玩家是以“一人独乐，多人众乐”为目的，为独身人群寻找悦己方式的出行搭子。它们是城市独行者的向导和同伴，引领主人探索不同的地图结交新朋友并记录他们的旅程。让一人行更加舒适有趣，探索周边的美好。
Introduction: Single player is a travel companion for single people who are looking for a way to please themselves with the purpose of "one person enjoying themselves, many people enjoying themselves". They are guides and companions for single people in the city, leading the owner to explore different maps, make new friends and record their journey. Make traveling alone more comfortable and interesting, and explore the beauty around you.
工艺美术学院
School of Arts and Crafts
作者姓名：张玉瑶
Author: Zhang Yuyao
作品名称：《密林-Heaven on earth》
Title: "Dense Forest-Heaven on Earth"
作品材料：陶、瓷
Material: Pottery, porcelain
作品尺寸：35×35×75cm、50×50×65cm、60×60×150cm
Size: 35×35× 75cm, 50×50× 65cm, 60×60× 150cm
指导老师：金生花
Supervisor: Jin Shenghua
作品说明：系列作品以自然之美视作母体与灵感来源，从形式和内容上探索了自我与自然、陶艺作品与艺术疗愈之间的关系。作者觉得很幸运从小生活在一座名为仙湖植物园的周边，仙湖植物园像一座天然的“避难所 ”。作者将大自然无形的隐喻意象赋予有形的外在形态即陶瓷作品上，通过作品抽象的隐喻表现无法用言语表达的情感，并且在制作过程中通过作品构思、制作等过程对植物园对本我的疗愈进行回拨，试图让个体和观赏者共同参与话题讨论。
Introduction: The series of works regards the beauty of nature as the mother and source of inspiration, and explores the relationship between self and nature, ceramic works and art therapy in terms of form and content. The author feels very lucky to have lived near a place called Xianhu Botanical Garden since childhood. Xianhu Botanical Garden is like a natural "refuge". The author gives the invisible metaphorical image of nature a tangible external form, namely ceramic works, and expresses emotions that cannot be expressed in words through abstract metaphors in the works. In the process of production, the author calls back to the healing of the botanical garden to the self through the process of work conception and production, trying to let individuals and viewers participate in the topic discussion together.
作者姓名：洪曼婷
Author: Hong Manting
作品名称：《盛器》
Title: "Container"
作品材质：陶瓷、石膏
Material: ceramic, plaster
作品尺寸：220cm×180cm×25cm
Size: 220cm×180cm×25cm
指导老师：谭红宇
Supervisor: Tan Hongyu
作品说明：作品从传统的模具工艺中得到启发，在造物过程中，加深了对于“实”与“虚”的理解。将陶瓷容器从“实用功能”中解放出来，并转化为盛载思想的艺术装置，与观者产生互动。在容器的虚空之中，“器”的留白，是内心的独白，更是容纳人类文化与精神的“盛器”，它承载的是多元文化，是没有边界与围墙的。
Introduction: The work is inspired by traditional mold craftsmanship. In the process of creation, it deepens the understanding of "real" and "virtual". Liberate the ceramic container from "practical function" and transform it into an art installation that carries ideas and interacts with the viewer. In the void of the container, the blank space of the "vessel" is the inner monologue, and it is also a "vessel" that accommodates human culture and spirit. It carries diverse cultures and has no boundaries or walls.
作者姓名: 杨成林
Author: Yang Chenglin
作品名称：《交融系列》
Title: "Fusion Series"
作品尺寸：48cm×48cm×53cm×1件，48cm×48cm×12cm×4件
Size: 48cm×48cm×53cm×1piece, 48cm×48cm×12cm×4pieces
作品材质：陶瓷
Material: ceramic
指导老师：徐志伟
Supervisor: Xu Zhiwei
作品说明：这组作品融合了中国传统器物文化中“天圆地方”及“三足鼎立”的意象进行创作。对于一个民族来说，生活方式体现了其在发展的生活环境，器物显示了民族文化特征，作品是对中国传统器物文化的重新诠释。 Introduction: This group of works combines the images of "round sky and square earth" and "three-legged tripod" in traditional Chinese artifact culture. For a nation, the lifestyle reflects its living environment in development, and the artifacts show the characteristics of national culture. The works are a reinterpretation of traditional Chinese artifact culture.
作者姓名：代坤娜
Author: Dai Kunna
作品名称：《绮梦系列》
Title: "Dream Series"
作品尺寸：尺寸可变
Size: Variable size
作品材质：银，珐琅，珍珠
Material: Silver, enamel, pearls
指导老师：王东育、李瀛龙、王昌淦、赖志强
Supervisors: Wang Dongyu, Li Yinglong, Wang Changgan, Lai Zhiqiang
作品说明:作品分为《涌动》《铃韵》和《光》三组。以银丝为骨珐琅为肉，制作立体的珐琅珠，聚散的珐琅珠表现在美好梦境中丰富翻涌的情绪，以蜡雕铸造和金属编织出植物在梦境中的美好情感和感受。
Introduction: The works are divided into three groups: "Surging", "Rhythm of Bells" and "Light". Silver wire is used as the bone and enamel as the flesh to make three-dimensional enamel beads. The gathering and dispersing enamel beads express the rich and surging emotions in the beautiful dream. Wax sculpture casting and metal weave the beautiful emotions and feelings of plants in the dream.
作者姓名：谢婉婷
Author: Xie Wanting
作品名称：《狩猎》
Title: "Hunting"
作品材料：大漆、木头、麻布、瓦灰、珍珠母、吉丁虫翅、陶瓷、铁、银
Material: Lacquer, wood, linen, tile ash, mother-of-pearl, jewelweed wings, ceramics, iron, silver
作品尺寸：尺寸可变
Size: Variable size
指导老师：赵尔东、朱斌、方昕
Supervisors: Zhao Erdong, Zhu Bin, Fang Xin
作品说明：这组以素髹黑漆脱胎长弓为主体的系列漆立体作品描绘了一个充满隐喻的、神秘的狩猎场景。
Introduction: This series of three-dimensional lacquer works, with plain black lacquer longbows as the main body, depicts a metaphorical and mysterious hunting scene.
美术教育学院
School of Art Education
当下，开放和共享是教育的趋势——教育即是生活。美术教育学院2024届本科毕业作品展以“开放的大学课程”为主题，学院的“开放”课堂，给学生一个充满“不确定性”的教学场域，任何课程都可以有多元的“进入点”，每一场公教都是教与学的组织共同体。在毕业创作过程中，同学们在建构知识中习得知识，同时将“物化”的毕业作品建构成知识，开展系列探究活动和课程实践，开发同学们的知识迁移能力、运用和创新能力。发展和利用知识是教育的终极目的，也是未来教育的方向。
At present, openness and sharing are the trends of education - education is life. The theme of the 2024 undergraduate graduation exhibition of the School of Art Education is "Open University Courses". The "open" classroom of the school provides students with a teaching field full of "uncertainty". Any course can have multiple "entry points", and every public education is an organizational community of teaching and learning. In the process of graduation creation, students acquire knowledge in the process of constructing knowledge, and at the same time construct the "materialized" graduation works into knowledge, carry out a series of exploration activities and course practices, and develop students' knowledge transfer, application and innovation capabilities. The development and utilization of knowledge is the ultimate goal of education and the direction of future education.
作者姓名：汤政、陈启泰
Authors: Tang Zheng, Chen Qitai
作品名称：《海丝迷踪》
Title: The Mystery of the Maritime Silk Road
作品材料：综合材料
Material: mixed Material
作品尺寸：2.5m×1.6m
Size: 2.5m×1.6m
指导老师：黄新然、张健昇、孙文云
Supervisors: Huang Xinran, Zhang Jiansheng, Sun Wenyun
作品说明：“海丝迷踪”是面向青少年的博物馆体验式游戏研学课程。以广州海事博物馆的基本陈列展览为基础，结合游戏性和教育性，提供一种寓教于乐的博物馆观展学习方式。通过模拟创设故事情境，使参与者在游戏中，了解到唐宋时期的广州与海上丝绸之路的相关历史和知识，引发参与者的学习热情和学习兴趣，实现从被动接受知识到主动汲取知识的转变。
Introduction: "The Mystery of the Maritime Silk Road" is a museum experiential game study course for young people. Based on the basic exhibitions of the Guangzhou Maritime Museum, it combines playfulness and education to provide an entertaining way of learning about museum exhibitions. By simulating and creating story situations, participants can learn about the history and knowledge of Guangzhou and the Maritime Silk Road during the Tang and Song dynasties in the game, which can arouse the participants' enthusiasm and interest in learning and realize the transformation from passive acceptance of knowledge to active acquisition of knowledge.
作者姓名：刘婷欣、何毅婷、魏蓝、毛泽恩
Authors: Liu Tingxin, He Yiting, Wei Lan, Mao Ze'en
作品名称：《成为沙头村民的79天》
Title: "79 Days of Being a Shatou Villager"
指导老师：王朝虹
Supervisor: Wang Chaohong
作品说明：四位同学组建起艺术小组在佛山市顺德区均安镇沙头社区进行了为期79天的驻地创作。作者们在“观察者”和“参与者”双重身份间不断切换，尝试以“我们”为主语，在展览中通过物件、文字、影像呈现驻地期间对日常亲历事件的过程性记录，以外来者视角建立一种理解地方的方式，讲述社区作为一个微观社会的丰富性。在项目的开展中，作者们尝试在陌生地方重建基于自身的社会关系网络，以沙头社区演艺性娱乐方式的历史变迁作为线索，围绕关系网络开展口述史收集、个案研究工作，对个体叙事修辞、集体对于事件发生的记忆，以及“爱好共同体”作为一种非虚构共同体的生成形式进行观察与反思。在关系建立的过程中，作者们将零散的对话所得串联成一组信息链条，探索改革开放后的新型娱乐方式在沙头爱好共同体的介入下如何完成本土改造，并在乡村中与维系熟人社会运转体系的价值观念、文化惯性结合在一起。
Introduction: Four students formed an art group and conducted a 79-day residency creation in Shatou Community, Jun'an Town, Shunde District, Foshan City. The authors constantly switched between the dual identities of "observer" and "participant", trying to use "we" as the subject, and presenting the process records of daily events during the residency through objects, texts, and images in the exhibition, establishing a way to understand the place from the perspective of outsiders, and telling the richness of the community as a micro-society. In the implementation of the project, the authors tried to rebuild their own social relationship network in an unfamiliar place, using the historical changes in the performing arts entertainment methods of the Shatou community as a clue, and carried out oral history collection and case study work around the relationship network, observing and reflecting on individual narrative rhetoric, collective memory of events, and the generation form of "hobby community" as a non-fictional community. In the process of relationship building, the authors linked the scattered conversations into a set of information chains, exploring how the new entertainment methods after the reform and opening up completed local transformation with the intervention of the Shatou hobby community, and how they were combined with the values and cultural inertia that maintain the operation system of the acquaintance society in the countryside.
作者姓名：彭晓枫、苏周童、卢雨诗、刘茵彤、余佳欣、谭林辉、蔡乐思
Authors: Peng Xiaofeng, Su Zhoutong, Lu Yushi, Liu Yintong, Yu Jiaxin, Tan Linhui, Cai Lesi
作品名称：《赓续与织》
Title: Continuation and Weaving
指导老师：马良华
Supervisor: Ma Lianghua
作品说明：作者们从社区年长者的个体经验出发，通过年长世代的技艺经验与年轻世代碰撞，重构代际融合，希望把老人的时代性、地方性的经验以美育形式与当下时代构建联系，赋能代际沟通与传承的延续，帮助社区老人重拾个人价值认同。
Introduction: Starting from the individual experience of the elderly in the community, the authors reconstruct intergenerational integration by connecting the skills and experience of the older generation with the younger generation. They hope to connect the elderly's contemporary and local experience with the current era in the form of aesthetic education, enable the continuation of intergenerational communication and inheritance, and help the elderly in the community regain their personal value identity.
作者姓名：陈运凯
Author: Chen Yunkai
作品名称：《定格》
Title: Freeze Frame
作品材料：布面油画
Material: Oil on canvas
作品尺寸：150cm×200cm
Size: 150cm×200cm
指导老师：王丹、李琳、蔡谨蔚、江欧、苏坚
Supervisors: Wang Dan, Li Lin, Cai Jinwei, Jiang Ou, Su Jian
作品说明：作品从现实主义风格入手，结合直接画法来描绘同学在教室做毕设的场景。将这一瞬间定格在画布上，以此记录这段单调美好的毕设时光。
Introduction: The work starts with a realistic style and combines direct painting to depict the scene of students doing graduation projects in the classroom. This moment is frozen on the canvas to record this monotonous and beautiful graduation project time.
作者姓名：刘付冰
Author: Liu Fubing
作品名称：《杳杳钟声晚》
Title: The Sound of the Bells in the Evening
作品材料：纸本设色
Material: Color on paper
作品尺寸：200cm×124cm
Size: 200cm×124cm
指导老师：杨峻
Supervisor: Yang Jun
作品说明：在光阴的精雕细琢和文化的交流碰撞下，城市有了专属容颜，岁月赠与我们温馨和美好，我们在杳杳钟声的伴随下不断前行。
Introduction: With the meticulous craftsmanship of time and the exchange and collision of cultures, the city has acquired its own unique appearance. The years have given us warmth and beauty, and we continue to move forward accompanied by the sound of distant bells.
作者姓名：方嘉华
Autho: Fang Jiahua
作品名称：《毛公鼎》
Title: Mao Gong Ding
指导老师：张繁文，倪宽，吴慧平
Supervisors: Zhang Fanwen, Ni Kuan, Wu Huiping
作品说明：作品以中国书法史上最重要的青铜器之一——毛公鼎为原型，采用现代书刻的方式进行创作。
Introduction: The work is based on the Mao Gong Ding, one of the most important bronze artifacts in the history of Chinese calligraphy, and is created using modern calligraphy and engraving techniques.
研究生毕业作品展
Graduate Graduation Exhibition
展览现场直击
Live
展览作品速递
Exhibition Works Express
中国画学院
School of Chinese Painting
岭南画派先贤倡导“折衷中西，融汇古今”的画学精神，以及关注生活、直面社会的画学实践，在近代中国画创作转型中作出了大胆的探索，对当下中国画专业如何应对大变局时势而言是可贵的镜鉴。治学要先因而后创，坚持守正创新。“创新”必须建立在“守正”的基础上，以更长的时间轴去实践“守正创新”的内涵。“新”必须是符合艺术发展的规律，而非个人创作手段上刻意强加的时尚烙印。
“问渠那得清如许？为有源头活水来。” 今年中国画学院研究生毕业展的主题为“源头活水清如许”，中国画学子们坚定文化自信和艺术本体自觉，到源头饮水，强基固本，重塑雅正宽博的审美价值观，弘扬中华民族精神和中国画特质，用手中画笔表现时代气象和自己在社会生活中独特感受。
The predecessors of the Lingnan School of Painting advocated the spirit of "combining Chinese and Western, integrating the past and the present", as well as the practice of painting that focuses on life and faces society. They made bold explorations in the transformation of modern Chinese painting creation, which is a valuable mirror for how the current Chinese painting profession should respond to the great changes of the times. To study, we must first learn and then create, and adhere to the principle of keeping the integrity and making innovations. "Innovation" must be based on "keeping the integrity", and the connotation of "keeping the integrity and making innovations" must be practiced over a longer time axis. "New" must be in line with the laws of artistic development, rather than a deliberately imposed fashion imprint on personal creative means.
Why is the water so clear? Because it comes from a source of living water." The theme of this year's graduate graduation exhibition of the Chinese Painting Academy is "The water from the source is so clear." Chinese painting students have firm cultural confidence and artistic awareness, drink water from the source, strengthen their foundation, reshape elegant and broad aesthetic values, carry forward the spirit of the Chinese nation and the characteristics of Chinese painting, and use their brushes to express the spirit of the times and their unique feelings in social life.
作品名称：《老师们》
Title: Teachers
作者姓名：纪润衔
Author: Ji Runxian
材质/类型：纸本水墨
Material/Type: Ink on paper
指导教师：刘庆和、周勇
Supervisors: Liu Qinghe, Zhou Yong
尺寸：138cm×69cm×12cm
Size: 138cm×69cm×12cm
作品介绍：作品由十二幅单人肖像组成，描绘对象为：林墉、皮道坚、李正天、陈振国、杨小彦、黄一瀚、李劲堃、周勇 、陈侗、方土、黄国武、郑阿湃十二位老师。以淡墨趣味为主的笔墨语言，结合写实造型方法表现对老师的印象与感受。
Introduction: The work consists of twelve single portraits, depicting the following people: Lin Yong, Pi Daojian, Li Zhengtian, Chen Zhenguo, Yang Xiaoyan, Huang Yihan, Li Jinkun, Zhou Yong, Chen Tong, Fang Tu, Huang Guowu, Zheng Apai. The painting mainly uses light ink to express the impression and feelings of the teachers, combined with realistic modeling methods.
作品名称：《濯缨》
Title: "Washing the Tassel"
作者姓名：方雯
Author: Fang Wen
材质/类型：绢本设色
Material/Type: Color on silk
指导教师：许晓彬
Supervisor: Xu Xiaobin
尺寸：200cm×200cm
Size: 200cm×200cm
作品介绍：沧浪之水清兮,可以濯我缨。
Introduction: The water of Canglang is clear, and can wash my tassels.
作品名称：《素处以默》
Title: "Silence in the Pure Place"
作者姓名：许汝婕
Authors: Xu Rujie
材质/类型：绢本水墨
Material/Type: Ink on silk
指导教师：张东
Supervisor: Zhang Dong
尺寸：230cm×179cm
Size: 230cm×179cm
作品介绍：兰圃居于闹市而安静幽深，以水庭造园，丛林茂密，芳草鲜美，静谧宜人。作品以广州兰圃为取材对象，对兰圃园内建筑与植物的形象符号在画面中进行解构重组，用传统的笔墨技法表现安静平和的岭南一隅。
Introduction: Lanpu is located in a busy city, but it is quiet and secluded. It is a water garden with dense forests, fresh grass, and quiet and pleasant. The work is based on Guangzhou Lanpu, and the image symbols of the buildings and plants in the Lanpu Garden are deconstructed and reorganized in the picture, using traditional brush and ink techniques to express a quiet and peaceful corner of Lingnan.
作品名称：《极地之光》
Title: "Aurora Lights"
作者姓名：胡宇
Author: Hu Yu
材质/类型：纸本设色
Material/Type: Color on paper
指导教师：刘文东
Supervisor: Liu Wendong
尺寸：200cm×210cm
Size: 200cm×210cm
作品介绍：对于极地的探索与开拓一直是中国人的伟大梦想与事业之一，两艘极地科考船船——“雪龙号”与“雪龙2号”作为“国之重器”，不断地为国家极地考察事业发光发热。
Introduction: The exploration and development of the polar regions has always been one of the great dreams and undertakings of the Chinese people. As the "national heavy weapons", the two polar research vessels, Xuelong and Xuelong 2, continue to contribute to the country's polar exploration.
作品名称：《幸福多巴胺》
Title: "Happiness Dopamine"
作者姓名：谢珞倩
Author: Xie Luoqian
材质/类型：纸本设色
Material/Type: Color on paper
指导教师：李劲堃
Supervisor: Li Jinkun
尺寸：210cm×125cm
Size: 210cm×125cm
作品介绍：当前不仅热门景点受到旅游者的关注，一些小众、个性、出片的地点逐渐被挖掘，当代年轻人旨在“在随意中寻找新意、自我”的旅游意识更加成熟。
Introduction: Currently, not only popular scenic spots are attracting the attention of tourists, but some niche, unique and photogenic places are gradually being discovered. The travel awareness of contemporary young people, which aims to "find novelty and self-expression in casualness", is more mature.
作品名称：《五谷丰登》
Title: A bumper harvest
作者姓名：段海峰
Author: Duan Haifeng
材质/类型：纸本水墨
Material/Type: Ink on paper
指导教师：许敦平
Supervisor: Xu Dunping
尺寸：140cm×300cm
Size: 140cm×300cm
作品介绍：作品借蔬果题材取五谷丰登之意，体现在新时代下国泰民安、人们生活美满的一种民生状态。
Introduction: The work uses the theme of fruits and vegetables to express the idea of a bumper harvest, reflecting a state of people's livelihood in the new era where the country is peaceful and the people are living a happy life.
作者姓名：殷玙璠
Author: Yin Yufan
作品名称：《上林赋节选》
Title: Excerpt from Shanglinfu
作品材料：书法篆刻艺术
Material: calligraphy and seal carving art
作品尺寸：262cm×305cm
Size: 262cm×305cm
指导老师：王忠勇
Supervisor: Wang Zhongyong
作品说明：作者采用篆隶笔意进行渗透，从整体看以摩崖石刻的艺术形式模仿创作，呈现庄严、肃穆的感觉，又稍施情调，表达其天真浪漫的气息。该篇创作难点有：疑难字多，同一偏旁部首的连续运用，线条、整体调性统一的把控等。
Introduction: The author uses the style of seal script and official script to infiltrate the work. From the overall point of view, the work imitates the artistic form of cliff carvings, presenting a solemn and solemn feeling, and adding a little sentiment to express its innocent and romantic atmosphere. The difficulties in creating this work include: many difficult characters, continuous use of the same radical, and control of the unity of lines and overall tonality.
作品名称：《月光》
Title: Moonlight
作者姓名：方明锋
Author: Fang Mingfeng
材质/类型：纸本水墨
Material/Type: Ink on paper
指导教师：何枫
Supervisor: He Feng
尺寸：192cm×210cm
Size: 192cm×210cm
作品介绍：月光穿过密林照射在一条不存在的林中之路上，石非石，木非木，将空间分割、破碎、重组，包裹着迷茫而又顽强的生命。
Introduction: The moonlight shines through the dense forest onto a non-existent forest road. The stone is not stone, the wood is not wood, dividing, breaking and reorganizing the space, wrapping up the confused but tenacious life.
作品名称：《吹梦到西州》
Title: "Dreaming to Xizhou"
作者姓名：王瀚之
Author: Wang Hanzhi
材质/类型：纸本水墨设色
Material/Type: Ink and color on paper
指导教师：张彦
Supervisor: Zhang Yan
尺寸：240cm×198cm
Size: 240cm×198cm
作品介绍：构思来源于作者前往新疆吐鲁番考察高昌时期佛教艺术的体会和想象，造型和元素上主要参考了吐峪沟石窟、吐峪沟麻扎村和火焰山等。吐鲁番在唐代被称为西州，所以取名《吹梦到西州》。
Introduction: The idea comes from the author's experience and imagination of visiting Turpan, Xinjiang to study Buddhist art during the Gaochang period. The main references to the shapes and elements are Tuyugou Grottoes, Tuyugou Maza Village and Huoyan Mountain. Turpan was called Xizhou in the Tang Dynasty, so it was named "Dreaming of Xizhou".
作品名称：《捕梦时光》
Title: "Dream Catching Time"
作者姓名：刘婉婷
Author: Liu Wanting
材质/类型：综合材料
Material/Type: Mixed Material
指导教师：赵春恒
Supervisor: Zhao Chunheng
尺寸：200cm×180cm
Size: 200cm×180cm
作品介绍：偶然间，作者在公园一角看见捞鱼的亲子活动，心中泛起涟漪，回忆起童年往事和梦想。《捕梦时光》取材于此，通过自然光影和谐含蓄地表现出各种关系，捕捉并定格珍贵记忆，展现温馨而充满意趣的时光和欢乐的美好瞬间。
Introduction: By chance, the author saw a parent-child fishing activity in a corner of the park, and ripples appeared in his heart, recalling his childhood memories and dreams. "Dream Catching Time" is based on this, and uses natural light and shadow to harmoniously and implicitly express various relationships, capture and freeze precious memories, and show warm and interesting time and happy moments.
作品名称：《少年与狗》
Title: "Boy and Dog"
作者姓名：王厚渊
Author: Wang Houyuan
材质/类型：纸本水墨
Material/Type: Ink on paper
指导教师：陈朋
Supervisor: Chen Peng
尺寸：180cm×288cm
Size: 180cm×288cm
作品介绍：作品源于对童年的追溯，对抽象意义上的家乡的回忆，对群体的记忆等等，也试图回归到人本身，回归到人与环境的关系，人在环境中的感受。
Introduction: The work originates from the tracing back to childhood, the memories of hometown in an abstract sense, the memory of the group, etc. It also attempts to return to the human being itself, the relationship between human beings and the environment, and the feelings of human beings in the environment.
作品名称：《逐梦飞鸟》
Title: "Dreaming Bird"
作者姓名：吴曙臻
Author: Wu Shuzhen
材质/类型：绢本设色
Material/Type: Color on silk
指导教师：周勇
Supervisor: Zhou Yong
尺寸：174cm×69cm
Size: 174cm×69cm
作品介绍：作者以两个女孩为主体，以不知由来的光斑或是飘拂的物体来暗示不真实的场景，结合对自然、生物的描绘，将个体的情感经验、内感官记忆赋予在图像上，以此表达心境。
Introduction: The author uses two girls as the main subjects, and uses unknown light spots or fluttering objects to imply unreal scenes. Combined with the description of nature and creatures, the author gives the individual's emotional experience and inner sensory memory to the image to express his mood.
跨媒体艺术学院
School of Transmedia
作品名称：《八段锦》
Title: Eight-Section Brocade
作者姓名：曾忆城
Author: Zeng Yicheng
材质/类型：视频
Material/Type: Video
指导教师：冯峰
Supervisor: Feng Feng
尺寸：尺寸可变
Size: Variable size
作品介绍：八段锦“一个动作一味药”，强身健体，预防疾病。特邀大医李可再传弟子刘怀谷，行八段锦功法，用红外热像技术录制视频，展现人体寒热温凉，把触觉转化成视觉，与时俱进地演绎这套传统经典功法的内涵与魅力。
Introduction: Ba Duan Jin "one movement, one medicine", strengthens the body and prevents diseases. Liu Huaigu, a disciple of the great doctor Li Ke, was specially invited to perform Ba Duan Jin exercises and use infrared thermal imaging technology to record videos to show the cold, hot, warm and cool of the human body, transforming touch into vision, and interpreting the connotation and charm of this set of traditional classic exercises in line with the times.
作品名称：《潭岭艺术共创计划》
Title: "Tanling Art Co-creation Project"
作者姓名：谢凌慧
Author: Xie Linghui
材质/类型：综合
Material/Type: Comprehensive
指导教师：刘庆元
Supervisor: Liu Qingyuan
尺寸：尺寸可变
Size: Variable size
作品介绍：作者从家乡连州出发，通过艺术介入实践，探索乡村振兴和文化发展问题。作品简称潭岭计划，是一个多元化的艺术项目，旨在鼓励村民和艺术家共同参与艺术创作，通过艺术活动激活乡村经济和文化生活，响应乡村振兴战略。
Introduction: The author started from his hometown Lianzhou and explored rural revitalization and cultural development issues through artistic intervention practice. The work is called Tanling Project, which is a diversified art project that aims to encourage villagers and artists to participate in artistic creation, activate rural economic and cultural life through artistic activities, and respond to the rural revitalization strategy.
作品名称：《六十四相》
Title: Sixty-four Phases
作者姓名：郑德
Author: Zheng De
导 师：劳业辛、冯峰
Supervisors: Lao Yexin, Feng Feng
材质/类型：设色纸本、有机玻璃
Material/Type: Color on paper, plexiglass
尺寸：185cm×255cm
Size: 185cm×255cm
作品介绍：作者为64卦做了一套色卡，将64卦象中阴爻、阳爻替换成黄色和玄色，再将每个卦象初爻到上爻顺序由下到上叠加，由此64种不同的色彩叠加顺序即生成了64个色彩。再利用色差仪检测出最终合成色彩的色号（Lab、CMYK、RGB）。
Introduction: The author made a set of color cards for the 64 hexagrams , replacing the yin and yang lines in the 64 hexagrams with yellow and black, and then superimposing the first line to the upper line of each hexagram from bottom to top , thus generating 64 colors by superimposing 64 different colors. Then the color number of the final synthesized color (Lab, CMYK, RGB) was detected using a colorimeter.
作品名称：《自我复制60次》
Title: "Replicate myself 60 times"
作者姓名：郑德
Author: Zheng De
材质/类型：有机玻璃、丙烯颜料、设色纸本
Material/Type: Plexiglas, acrylic paint, color on paper
指导教师：劳业辛、冯峰
Supervisors: Lao Yexin, Feng Feng
尺寸：150cm×114cm
Size: 150cm×114cm
作品介绍：作者挑选了红绿两个颜色，依靠个人色感分别调试60遍，再借助色差仪检测出每一次颜色的Lab色号以及误差值。而后将这些数据分红绿两组整体制作明度、色相与误差值变化曲线图。
Introduction: The author selected two colors, red and green, and adjusted them 60 times based on his personal color sense. He then used a colorimeter to detect the Lab color number and error value of each color. He then divided these data into two groups, red and green, and created a curve chart of lightness, hue and error value.
作品名称：《秘密之地：特殊教育学校游戏实践》
Title: Secret Place: Game Practice in Special Education Schools
作者姓名：孙泽坤
Author: Sun Zekun
材质/类型：综合
Material/Type: Comprehensive
指导教师：冯峰
Supervisor: Feng Feng
尺寸：尺寸可变
Size: Variable size
作品介绍：作者在山西运城的一所特殊教育学校与学生们一起进行了为期两个月的游戏活动，这些活动通常在学生课后时光中进行，并偶尔伴随着一些事件。作品包含游戏活动影像记录、录音和活动相关的物品及成果。
Introduction: The author conducted two months of game activities with students at a special education school in Yuncheng, Shanxi. These activities were usually carried out after school and occasionally accompanied by some events. The work includes video records, audio recordings, and items and results related to the game activities.
作品名称：《宇宙探索·星月之谜》
Title: "Universe Exploration: Mysteries of Stars and Moon"
作者姓名：王智
Author: Wang Zhi
材质/类型：实验动画
Material/Type: Experimental Animation
指导教师：邓碧文、冯峰
Supervisors: Deng Biwen, Feng Feng
尺寸：尺寸可变
Size: Variable size
作品介绍：作品讲述了在科技发展下机器人加入了人类征服宇宙的计划中，在秉承自己的本分职业的同时去探索浩瀚宇宙中未曾发现过的秘密。利用AIGC数字内容生成技术，以实验动画的呈现方式，表现智媒时代下带给艺术创作的无尽可能性。
Introduction: The work tells the story of how robots join the human plan to conquer the universe under the development of science and technology, and explore the undiscovered secrets in the vast universe while adhering to their own duties. Using AIGC digital content generation technology and experimental animation presentation, the work shows the endless possibilities brought to artistic creation in the era of intelligent media .
工艺美术学院
School of Arts and Crafts
工艺美术学院2024届毕业作品展以“无可替代·方寸”为主题，采用线上线下相结合的方式，对106位本科生和12位研究生的毕业作品进行展示。于方寸间见万千气象，在细微处展宇宙乾坤，这是一种精神上的方寸，是工艺者内心的方寸。在以大数据、大模型为中心的当下，守住工艺中的方寸之心显得尤为重要，人的价值恰在其间得以凸显。
这是一场有敬意与温度的展览，展览所呈现的精神为“恭敬心”。2024届的毕业生们向母校、向老师、向亲友、向自己献上一份朴素真挚的答卷。同学们对自然馈赠的物料保有恭敬心，对传承有序的技艺保有恭敬心，对灵光乍现的巧思保有恭敬心，对作品制作中所消耗的时光也保有恭敬心。他们传承着中华工艺的精髓，同时又将现代审美和科技手段融入其中。这种对传统的敬重和对创新的追求，这种谦逊与敬意，正是“恭敬心”的最好体现。
方寸不乱，自成乾坤。在这个充满变化和挑战的时代，毕业生们保持“恭敬心”，坚守自己的信仰和追求，用勤劳又坚韧的双手，用自己的作品，为这个世界增添一些美好和温暖。
The 2024 Graduation Exhibition of the School of Arts and Crafts is themed "Irreplaceable Square Inch". It uses a combination of online and offline methods to display the graduation works of 106 undergraduates and 12 postgraduates. Seeing the myriad of atmospheres in a square inch and showing the universe in the details is a spiritual square inch, which is the square inch in the heart of the craftsman. In the current era centered on big data and big models, it is particularly important to keep the heart of the square inch in the craft, and the value of people is highlighted in it.
This is a respectful and warm exhibition, and the spirit presented in the exhibition is "respect". The graduates of the class of 2024 presented a simple and sincere answer to their alma mater, teachers, relatives and friends, and themselves. The students are respectful to the Material given by nature, the skills that have been passed down in an orderly manner, the ingenuity that comes to mind, and the time spent in making the works. They inherit the essence of Chinese craftsmanship, while integrating modern aesthetics and technological means into it. This respect for tradition and pursuit of innovation, this humility and respect, is the best embodiment of "respect".
In this era full of changes and challenges, the graduates have maintained a "respectful heart", adhered to their beliefs and pursuits, and added some beauty and warmth to the world with their hardworking and tenacious hands and their works.
作品名称：《惊蛰》
Title: The Awakening
作者姓名：梁杏媚
Author: Liang Xingmei
材质/类型：漆器
Material/Type: Lacquerware
指导教师：韦潞、齐喆
Supervisors: Wei Lu, Qi Zhe
尺寸：尺寸可变
Size: Variable size
作品介绍：微雨众卉新，一雷惊蛰始，树木枝头蓓蕾惊醒。借大漆以髹涂春天拂面，万物复苏的景象。选择了植物发芽的形态作为主题，通过丸粉和干漆粉技法，营造出一种质感丰富、层次分明的视觉效果，与植物的纹理形成对比，表现自然界的细微之美。
Introduction: A light rain brings new life to all flowers , a thunder awakens the buds on the branches of trees. The lacquer is used to paint the scene of spring blowing across the face and all things reviving. The budding form of plants is chosen as the theme. Through the techniques of ball powder and dry lacquer powder, a visual effect with rich texture and distinct layers is created, which contrasts with the texture of plants and expresses the subtle beauty of nature.
作品名称：《乳源瑶族主题系列艺术装置》
Title: Ruyuan Yao Nationality Theme Series Art Installation
作者姓名：何嘉昊
Author: He Jiahao
材质/类型：金属、竹、木、纤维、亚克力
Material/Type: Metal, Bamboo, Wood, Fiber, Acrylic
指导教师：齐喆
Supervisor: Qi Zhe
尺寸：
Size: 乳源瑶族主题系列之竹枝与螺壳Bamboo branches and snail shells from the Ruyuan Yao theme series 400cm（长）×300cm（宽）×350cm（高）×5件乳源瑶族主题系列之瑶族马头纹风铃观景台400cm (length) × 300cm (width) × 350cm (height) × 5 pieces Yao horse head pattern wind chime viewing platform from the Ruyuan Yao theme series
1100cm（长）×30cm（宽）×350cm（高）×1件乳源瑶族主题系列之瑶族腾样高脚椅1100cm (length) × 30cm (width) × 350cm (height) × 1 piece Yao Tengyang high chair from the Ruyuan Yao theme series 200cm（长）×60cm（宽）×400cm（高）×4件乳源瑶族主题系列之竹海瑶韵
200cm (length) × 60cm (width) × 400cm (height) × 4 pieces Yao rhyme from the Ruyuan Yao theme series Bamboo sea 16000cm（长）×20cm（宽）×250cm（高）×1件16000cm (length) × 20cm (width) × 250cm (height) × 1 piece
作品介绍：深入挖掘瑶族文化遗产，融合传统手工艺与现代设计理念。将竹、风铃、图腾和其他自然元素结合现代材料和技术，每件作品都突出展现瑶族文化的独特美学和生态哲学。通过具体实践，为艺术赋能乡村振兴提供新路径。
Introduction: Deeply explore the cultural heritage of the Yao people and integrate traditional handicrafts with modern design concepts. Combining bamboo, wind chimes, totems and other natural elements with modern Material and technologies, each work highlights the unique aesthetics and ecological philosophy of the Yao culture. Through specific practice, it provides a new path for art to empower rural revitalization.
作品名称：《自小缀父去牵罾》
Title: "Since I was a child, I have been following my father to fish"
作者姓名：陈祉仪
Author: Chen Zhiyi
材质/类型：综合材料
Material/Type: Mixed Material
指导教师：齐喆
Supervisor: Qi Zhe
尺寸：尺寸可变
Size: Variable size
作品介绍：该艺术装置通过视觉艺术的表现手法对汕尾渔歌进行视觉化呈现。作品运用了麻编、漆工艺、草木染等工艺技法，通过设计让观众感受汕尾渔歌中的精神内涵，了解疍民与大海为伴，与风浪博击的岁月。
Introduction: This art installation uses visual art techniques to present Shanwei fishermen's songs. The work uses hemp weaving, lacquer crafts, plant dyeing and other craftsmanship techniques. Through the design, the audience can feel the spiritual connotation of Shanwei fishermen's songs and understand the years when the boat people lived with the sea and fought against the wind and waves.
作品名称：《瓦脊印象》
Title: Impression of the Roof Ridge
作者姓名：岑琪韵
Author: Cen Qiyun
材质/类型：陶
Material/Type: Pottery
指导教师：魏华
Supervisor: Wei Hua
尺寸：36cm（长）x29cm（宽）x81cm（高）
Size: 36cm (length) x 29cm (width) x 81cm (height)
55cm（长）x20cm（宽）x50cm（高）
55cm (length) x 20cm (width) x 50cm (height)
43cm（长）x33cm（宽）x80cm（高）
43cm (length) x 33cm (width) x 80cm (height)
48cm（长）x30cm（宽）x63cm（高）
48cm (length) x 30cm (width) x 63cm (height)
作品介绍：系列作品采用了石湾陶塑瓦脊常用的民俗文化元素，摒弃了瓦脊公仔精细写实的表现手法和繁复的纹饰，通过强化、夸张的手法对其进行提取再创作，力图打破原有沉闷的塑像形式，保留图像纹样本身的寓意所传递出的深沉含义，使瓦脊公仔以更鲜活、生动的形式出现，焕发新的生机。
Introduction: This series of works adopts the folk cultural elements commonly used in Shiwan pottery tile ridges, abandons the detailed realistic expression techniques and complicated patterns of tile ridge figurines, extracts and recreates them through intensified and exaggerated techniques , and strives to break the original dull statue form, retaining the deep meaning conveyed by the image pattern itself, making the tile ridge figurines appear in a more fresh and vivid form, and glowing with new vitality.
作品名称：《归根》系列一 、二
Title: Return to Roots Series I and II
作者姓名：李乐茵
Author: Li Leyin
材质/类型：发泡陶瓷
Material/Type: Foamed Ceramic
指导教师：胡宇、魏华
Supervisors: Hu Yu, Wei Hua
尺寸：240cm(高）× 100cm(宽）× 15 cm(长）
Size: 240cm (height) × 100cm (width) × 15 cm (length)
150cm(高）× 100cm(宽）× 120cm(长）
150cm (height)×100cm(width)×120cm(length)
作品介绍：绿叶短暂繁盛过后成为养分轮回于大自然。陶瓷是人类手工艺伟大的结晶，废瓷片犹如落叶，发泡陶瓷在经历重重熏烧后进入新轮回。
Introduction: After a brief period of prosperity, green leaves become nutrients and return to nature. Ceramics are the great crystallization of human craftsmanship. Waste ceramic pieces are like fallen leaves. Foamed ceramics enter a new cycle after undergoing multiple fumigations.
艺术与人文学院
School of Arts and Humanities
作品名称：《触我故园心：清晖园的复原及相关问题研究》
Title: "Touching My Hometown Heart: Research on the Restoration of Qinghui Garden and Related Issues"
作者姓名：冯芳茹
Author: Feng Fangru
材质/类型：论文
Material/Type: Paper
指导教师：邹清泉
Supervisor: Zou Qingquan
作品介绍：顺德清晖园是岭南四大名园之一，但目前学界对清晖园历史脉络及各个时期园林面貌的研究，仍然存在空缺。研究通过“发掘”清晖园相关档案、方志、园主著作等材料探源清晖园，复原园林的历史演变过程。
Introduction: Shunde Qinghui Garden is one of the four famous gardens in Lingnan, but there is still a gap in the academic research on the historical context of Qinghui Garden and the appearance of the garden in different periods. This study explores the origin of Qinghui Garden by "discovering" relevant archives, local chronicles, and works of the garden owner, and restores the historical evolution of the garden.
作品名称：《空间生产视域下的现代博物馆理论研究》
Title: A Study on Modern Museum Theory from the Perspective of Space Production
作者姓名：李光仪
Author: Li Guangyi
材质/类型：论文
Material/Type: Paper
指导教师：王璜生
Supervisor: Wang Huangsheng
作品介绍：本文将空间生产理论模型作为切入现代博物馆空间研究的方法，探讨其研究新路径。梳理了现代博物馆空间生产历程，并从关系艺术的分析中，在已经被描绘出来的道路上继续朝前，讨论现代博物馆空间的未来可能。
Introduction: This article uses the spatial production theory model as a method to approach the study of modern museum space and explores new research paths. It sorts out the production process of modern museum space and continues to move forward on the path that has been drawn from the analysis of relational art, discussing the possible future of modern museum space.
作品名称：《美国工业设计展的开端——1934年机械艺术展研究》
Title: The Beginning of the American Industrial Design Exhibition: A Study of the 1934 Mechanical Art Exhibition
作者姓名：李茜莉
Author: Li Xili
材质/类型：论文
Material/Type: Paper
指导教师：田春
Supervisor: Tian Chun
作品介绍：1934年在纽约现代艺术博物馆举办的机械艺术展为工业设计制品提供了专场展示，它代表艺术观念的转变：将工业设计纳入现代艺术范畴。本研究旨在探索这个转变如何发生，其后对美国工业设计产生的影响。
Introduction: The Mechanical Art Exhibition held at the Museum of Modern Art in New York in 1934 provided a special exhibition for industrial design products, which represented a shift in artistic concepts: incorporating industrial design into the category of modern art. This study aims to explore how this shift occurred and its subsequent impact on American industrial design.
作品名称：《湾漳墓：中古政权对文化传统的图像表达》
Title: Wanzhang Tomb: Pictorial Expression of Cultural Traditions by Medieval Polity
作者姓名：杨佳炜
Author: Yang Jiawei
材质/类型：论文
Material/Type: Paper
指导教师：邹清泉
Supervisor: Zou Qingquan
作品介绍：湾漳墓是最高级的北齐帝陵，是佛教的转轮王墓，是为数不多保存有六世纪绘画真迹的大型壁画墓。对它的研究，有助于我们从一个侧面去理解中古政权下以佛教信仰为代表的文化传统的图像表达。
Introduction: Wanzhang Tomb is the highest-level imperial mausoleum of the Northern Qi Dynasty, the tomb of the Buddhist Chakravartin, and one of the few large mural tombs that preserves authentic sixth-century paintings. Research on it helps us understand from one aspect the pictorial expression of the cultural tradition represented by Buddhist beliefs under the medieval regime.
作品名称：《不安分的像主：再论<袁枚像>中的二我之争》
Title: The Restless Subject: Re-discussing the Struggle between the Two Selves in the Portrait of Yuan Mei
作者姓名：钟慧妍
Author: Chung Hui Yin
材质/类型：论文
Material/Type: Paper
指导教师：郭伟其
Supervisor: Guo Weiqi
作品介绍：本文探讨了《袁枚像》中文字和图像之间的关系，对明清之际的文史与图像之间的跨媒介进行深入挖掘讨论，呈现出特定社会历史时期中国肖像审美之观念史的解读，揭示出明清之际文人个体的自我认知和身份认同等议题。
Introduction: This article explores the relationship between text and image in "Portrait of Yuan Mei", conducts in-depth exploration and discussion on the cross-media between literature, history and images at the turn of the Ming and Qing dynasties, presents an interpretation of the conceptual history of Chinese portrait aesthetics in a specific social and historical period, and reveals issues such as the self-cognition and identity of individual literati at the turn of the Ming and Qing dynasties.
美术教育学院
School of Art Education
美术教育学院2024届硕士研究生们的毕业创作注重美术教育理论与实践相结合，毕业作品呈现出美术教育的前瞻性和时代性。展览对学生的综合能力进行多维度展示，展览期间安排公共美术教育活动，设计互动体验环节，增强观众的美育活动参与感和审美体验感。本次展览既是对美术教育传统与未来的对话，也是对个人梦想与社会责任的探索。
The graduation works of the 2024 master's students of the School of Art Education focus on the combination of art education theory and practice, and the graduation works show the foresight and timeliness of art education. The exhibition displays the comprehensive abilities of students in multiple dimensions, arranges public art education activities during the exhibition, and designs interactive experience links to enhance the audience's sense of participation in art education activities and aesthetic experience. This exhibition is not only a dialogue between the tradition and future of art education, but also an exploration of personal dreams and social responsibilities.
作品名称：《百越雄风·日书万字》
Title: "The Glory of Baiyue - Ten Thousand Words a Day"
作者姓名：黄延彬
Author: Huang Yanbin
材质/类型：纸本水墨
Material/Type: Ink on paper
指导教师：吴慧平
Supervisor: Wu Huiping
尺寸：360cm× 230cm
Size: 360cm×230cm
作品介绍：北鼎南鼓，皆国之重器。此作以岭南铜鼓为题材，以书法及传拓为媒介，融合十二生肖、北斗七星等传统文化，并以文人书房陈设进行综合呈现。此作近三万字，于三日之内，一鼓作气写毕，此亦可证古人“日书万字”之说也。自作联以“帼国英雄第一人”冼夫人与铜鼓为题材，以冼夫人平定岭南、致力维护国家统一之历史背景，借古喻今，祝愿伟大的祖国早日实现完全统一。
Introduction: The tripod in the north and the drum in the south are both important instruments of the country. This work is based on the Lingnan bronze drum, and uses calligraphy and rubbing as the medium. It integrates traditional culture such as the twelve zodiac signs and the Big Dipper, and presents it comprehensively with the furnishings of a scholar's study. This work is nearly 30,000 words, and was written in three days in one go, which can also prove the ancient saying of "writing 10,000 words a day". The self-made couplet is based on Lady Xian, the "first female hero of the country", and the bronze drum. It uses the historical background of Lady Xian pacifying Lingnan and working hard to maintain national unity, and uses the past to illustrate the present, wishing the great motherland to achieve complete reunification as soon as possible.
作品名称：《拾光》
Title: Picking up light
作者姓名：胡广婕
Author: Hu Guangjie
材质/类型：纸本设色
Material/Type: Color on paper
指导教师：陈湘波
Supervisor: Chen Xiangbo
尺寸：240cm×190cm
Size: 240cm×190cm
作品介绍：作品描绘的是晚春之景，表达作者对童年美好时光的回忆。在营造晚春之景的氛围与表现童年回忆时，笔者采用了以色块拼接的形式呈现彩色玻璃碎片的效果，传达作者的童年回忆在其脑海中是美好、碎片化的形式浮现。
Introduction: The work depicts the scene of late spring, expressing the author's memories of the good old days of childhood. In creating the atmosphere of late spring and expressing childhood memories, the author used the effect of colored glass fragments in the form of color blocks, conveying that the author's childhood memories emerged in a beautiful, fragmented form in his mind.
作品名称：《中国故事》
Title: "Chinese Stories"
作者姓名：彭奕
Author: Peng Yi
材质/类型：综合材料系列作品
Material/Type: Mixed media series
指导教师：王朝虹
Supervisor: Wang Chaohong
尺寸：113cm× 150cm
Size: 113cm× 150cm
作品介绍：一件文物就是一个历史故事，今天我们需要让文物活起来，让它们讲故事、讲历史。作者让三星堆青铜像和唐俑，融入当代智能工业元素，营造出穿越古今的画面，使几千年中华文化的历史长河浓缩到这组作品中。作品运用综合材料，以及尚在探索中的特技，用强烈对比的方法，塑造了古与今的时代感。同时，运用装饰艺术的语言，构造出融汇古朴与时尚的空间。作品力求在多方面突破既定的模式，向观者讲述具有当代艺术品格的中国故事。
Introduction: A cultural relic is a historical story. Today we need to make cultural relics come alive, let them tell stories and history. The author integrates the bronze statues of Sanxingdui and the figurines of Tang Dynasty with contemporary intelligent industrial elements to create a picture that travels through ancient and modern times, so that the thousands of years of Chinese cultural history are condensed into this group of works. The work uses comprehensive Material and special effects that are still being explored, and uses a strong contrast method to create a sense of time between ancient and modern times. At the same time, the language of decorative art is used to construct a space that blends simplicity and fashion. The work strives to break through the established model in many aspects and tell the audience a Chinese story with contemporary artistic characteristics.
作品名称：《时空向度》
Title: "Dimensions of Space and Time"
作者姓名：欧文聪
Author: Ou Wencong
材质/类型：陶瓷
Material/Type: Ceramic
指导教师：左正尧
Supervisor: Zuo Zhengyao
尺寸：直径15-55cm
Size: diameter 15-55cm
作品介绍：信息化社会时代下，多重信息渗入个体生活，扰乱个性的思维判断，正陷入重复无尽的漩涡。“向度”以“向”为方向，“度”指层次。试图在时空之中寻求方向、超越边界，连接多维关系去观察和追问。
Introduction: In the information society, multiple information has infiltrated into individual life, disrupting individual thinking and judgment, and falling into an endless vortex of repetition. "Dimension" refers to the direction, and "degree" refers to the level. It attempts to seek direction in time and space, transcend boundaries, and connect multi-dimensional relationships to observe and question.
