提问与应答，是创作的动力源；提问与应答，既投向未来也延续传统。广州美术学院2024年毕业展，共分三期呈现1787位本科生、415位研究生对艺术世界的蓬勃好奇和他们所做出的真挚应答，展现了在智能化生产方式不断更新、创新模式不断演进的当下，学校引导学生们回应新质生产力发展需求，以跨学科专业融合的创新思维，生生不息、知行合一的探索与实践。
Asking and answering questions is the driving force behind creations, which not only looks into the future but also carries forward traditions. Consisting of three phases, GAFA 2024 Degree Show showcased the vigorous curiosity of 1,787 bachelor’s graduates and 415 master’s graduates about the art world and their sincere responses to it. At a time when intelligent manufacturing and innovation models are constantly being updated, GAFA guides students to respond to the needs for developing new quality productive forces, and to persistently explore and practise unity of knowledge and action with innovative thinking that spans multiple disciplines.
第一期自5月21日开展，持续至5月29日，在广州美术学院大学城美术馆展出了建筑艺术设计学院、工业设计学院（工业与交互设计系、产品设计系、艺术设计学系)、视觉艺术设计学院(视觉传达设计、艺术与科技、数字媒体艺术)、城市学院的本科生毕业创作；在广州美术学院美术馆（昌岗校区）展出了绘画艺术学院、雕塑与公共艺术学院的研究生毕业创作。
The first phase started on May 21 and lasted until May 29. The undergraduate graduation works of the School of Architecture and Applied Arts, the School of Industrial Design (Department of Industrial and Interactive Design, Department of Product Design, Department of Art Design), the School of Visual Arts and Design (Visual Communication Design, Art and Technology, Digital Media Art), and the City School were exhibited at the University Town Art Museum of Guangzhou Academy of Fine Arts; and the postgraduate graduation works of the School of Painting and Drawing and the School of Sculpture and Public Art were exhibited at the Guangzhou Academy of Fine Arts Art Museum (Changgang Campus).
本科生毕业作品展
Undergraduate Degree Show
展览现场直击
Live
展览作品速递
Exhibition Works Express
建筑艺术设计学院
School of Architecture and Applied Arts
广州美术学院
建筑艺术设计学院以“升维”为毕业展的主题词，聚焦四个核心议题：一是如何在行业波动的背景下，深化对专业内核和个体成长的认知升维；二是如何在数智飞跃的时代中，探索美学与科学、艺术与工程融合的方法升维；三是如何借助在地实践的力量，推动人文湾区协同创新的模式升维；四是如何理解新质生产力的内涵，驱动城乡高质量建设的场域升维。
The School of Architecture and Applied Arts uses "Upgrading" as the theme of its graduation exhibition, focusing on four core topics: first, how to deepen the understanding of professional core and individual growth in the context of industry fluctuations; second, how to explore the methods of integrating aesthetics and science, art and engineering in the era of digital intelligence leap; third, how to leverage the power of local practice to promote the upgrading of the model of collaborative innovation in the bay area humanities; and fourth, how to understand the connotation of new quality productivity and drive the upgrading of the field of high-quality urban and rural construction .
面对快速变革的现实，建筑艺术设计学院六个工作室251名环境设计、建筑学、风景园林专业的本科毕业生，以设计为媒介，通过开放的思维模式、积极的个体探索与专注的社会实践，回应了城市与乡村、现实与未来等复杂问题。
Faced with the reality of rapid change, 251 undergraduate graduates majoring in environmental design, architecture, and landscape architecture from six studios of the School of Architecture, Art and Design used design as a medium to respond to complex issues such as the relationship between cities and villages, reality and the future through open thinking, active individual exploration, and focused social practice.
作者姓名：雷梓微、吴育基
Authors: Lei Ziwei, Wu Yuji
作品名称：《桥巷游廊》
Title: Bridge Lane Corridor
作品材料：画框
Material: Frame
作品导师：何夏昀 、李致尧、沈康
Supervisors: He Xiayun, Li Zhiyao, Shen Kang
作品说明：高架桥作为城市空间中不可或缺的一部分，给人们带来便利的同时也隔绝了相邻社区的联系。本设计以解放大桥桥下空间及周边社区为例，通过对高架桥的场景营造、叙事脉络、文化区段等进行日常性、周期性、文化性的时间空间要素织补，挖掘出社区人们日常的生活要素，将其拼贴串联到场地之中，作为新的活力触媒点置入，让高架桥下空间成为周边社区的互动连接媒介，成为一个充满烟火气的场所。
Introduction: As an indispensable part of urban space, the overpass brings convenience to people while isolating the connection between adjacent communities. This design takes the space under the Jiefang Bridge and the surrounding communities as an example. By weaving daily, periodic, and cultural time and space elements of the overpass's scene creation, narrative context, and cultural sections, the design digs out the daily life elements of the community people, collages them into the site, and places them as a new catalyst for vitality, making the space under the overpass an interactive connection medium for the surrounding communities and a place full of vitality.
作者姓名：余嘉豪、古骥
Authors: Yu Jiahao, Gu Ji
作品名称：《地铁之上 共生之下》
Title: Above the Subway, Under Symbiosis
作品材料：综合
Material: Comprehensive
指导老师：韩如意、林康强、熊磊
Supervisors: Han Ruyi, Lin Kangqiang, Xiong Lei
作品介绍：改造以广州市番禺区钻汇广场为例，引入“公园+”的概念，使公园与商业结合共生，营造丰富绿色公园环境，构建功能互补的融合关系，以此解决居民休闲活动选择受限和购物场景扁平化、单一化等问题，打破原有公园与商业之间的孤立状态，为钻汇广场注入新的活力。共生空间取自自然界中不同的自然形态，分别对应社区中不同种类的居民，提出四种差异性的共生单元功能架构。
Introduction: Taking Zuanhui Plaza in Panyu District, Guangzhou as an example, the renovation introduces the concept of "park +", combines parks with businesses, creates a rich green park environment, and builds a fusion relationship with complementary functions, so as to solve the problems of limited choices for residents' leisure activities and flat and single shopping scenes, break the original isolation between parks and businesses, and inject new vitality into Zuanhui Plaza. The symbiotic space is taken from different natural forms in nature, corresponding to different types of residents in the community, and four different symbiotic unit functional architectures are proposed.
作者姓名：刘馨蓉、陈晓琳
Authors: Liu Xinrong, Chen Xiaolin
作品名称：《川野探梅——数字生态农场的游戏化构建与旅游模式创新》
Title: "Exploring Plum Blossoms in the Wilderness - Gamification Construction of Digital Ecological Farm and Innovation of Tourism Model"
作品材料：综合材料
Material: Mixed Material
指导老师：陈瀚、许牧川、廖橙
Supervisors: Chen Han, Xu Muchuan, Liao Cheng
作品介绍：随着经济从工业时代向数字时代转变，各行业都面临着巨大变革。农业在数字化转型中需要引入新策略推动发展。面对数字化时代下的新农民与消费者，游戏化模式与传统农业生产结合将会产生巨大的潜力和经济价值。我们以春湾镇作为研究和实践对象，尝试将游戏化模式与当地产业及空间结合，提出将游戏化模式的管理与营销融入当地农业生产。
项目采取线上数字化平台与线下生产管理系统结合的设计策略，根据春湾镇的实景空间构建线上数字场景，为当地农民提供游戏化的产业学习路径与任务安排，并对消费者采用线上游戏激励和链接实际空间的方式，实现线上参与到线下旅游的消费路径。我们围绕当地农业特色——青梅种植与凉果生产，建立交易、生活、仪式等空间，玩家以不同的角色身份参与这场农业游戏，在完成游戏任务时实现对青梅种植、培育、采摘、加工、销售等一系列的产业空间体验。希望构建一个具有创造性、活力的农业实践场景，激发当地特色农业的附加价值，推进传统农业向数字化迈进。
Introduction: As the economy shifts from the industrial age to the digital age, all industries are facing tremendous changes. Agriculture needs to introduce new strategies to promote development in the digital transformation. Facing new farmers and consumers in the digital age, the combination of gamification model and traditional agricultural production will generate huge potential and economic value. We took Chunwan Town as the research and practice object, tried to combine the gamification model with local industries and space, and proposed to integrate the management and marketing of the gamification model into local agricultural production.
The project adopts a design strategy that combines an online digital platform with an offline production management system. It builds an online digital scene based on the real-life space of Chunwan Town, provides local farmers with a game-based industry learning path and task arrangement, and uses online game incentives and links to actual spaces for consumers to achieve a consumption path from online participation to offline tourism. We have established trading, living, and ritual spaces around the local agricultural characteristics of green plum planting and preserved fruit production. Players participate in this agricultural game with different roles and experience a series of industrial spaces such as green plum planting, cultivation, picking, processing, and sales when completing game tasks. We hope to build a creative and dynamic agricultural practice scene, stimulate the added value of local characteristic agriculture, and promote the digitalization of traditional agriculture.
作者姓名：余子扬、夏文菁
Authors: Yu Ziyang, Xia Wenjing
作品名称：《星美术馆——筒仓集体艺术坊》
Title: Star Art Museum – Tong Cang Collective Art Workshop
指导老师：曾克明、罗子安
Supervisors: Zeng Keming, Luo Zian
作品介绍：项目将广州南方面粉厂原有的旧工业建筑、周边的公共活力与原有的集体生产遗风这三个亮点结合现代艺术，提出将其改造成一个集体艺术模式的美术馆，以集体艺术的力量鼓励更多人参与到艺术创作中。
Introduction: The project combines the three highlights of Guangzhou Nanfang Flour Mill, the original old industrial buildings, the surrounding public vitality and the original collective production heritage with modern art, and proposes to transform it into an art gallery with a collective art model, so as to encourage more people to participate in artistic creation with the power of collective art.
作者：谢凯欣、钟敏哲
Author: Xie Kaixin, Zhong Minzhe
作品名称：《生活游戏厂》
Title: Life Game Factory
作品材料：综合材料
Material: Mixed Material
指导教师：何伟、周容伊
Supervisors: He Wei, Zhou Rongyi
作品介绍：场地前身为广州番禺红桥客车厂，曾转型为创意园，后因缺乏管理，没落为二次废墟。作者综合梳理其历史脉络、分析转型历程，发现核心矛盾在于社区与车厂之间的利益冲突，因此针对核心矛盾，提出消融边界、以社区为导向、促进人地互动、屋顶串联节点四大策略，通过平衡各方利益，引入生活图景和游戏体验，使之成为激活新人地关系、重塑归属感、促进居民参与的“生活游戏厂”。
Introduction: The site was formerly the Hongqiao Bus Factory in Panyu district, Guangzhou. It was transformed into a creative park, but later turned into ruins again due to lack of management. The author comprehensively sorted out its historical context and analyzed the transformation process, and found that the core contradiction lies in the conflict of interests between the community and the bus factory. Therefore, in response to the core contradiction, four strategies are proposed: melting boundaries, community-oriented, promoting human-land interaction, and connecting nodes on the roof. By balancing the interests of all parties, introducing life scenes and game experiences. It has become a "life game factory" that activates the new relationship between people and land, reshapes a sense of belonging, and promotes residents' participation.
工业设计学院
School of Industrial Design
工业设计学院在第一期中展出工业与交互设计系、产品设计系、艺术设计学系共245位学生的192件（组）作品。
新质生产力是以科技创新为主的生产力，其重要的组成“数字生产力”“绿色生产力”“蓝色生产力”，离不开设计创新的有力推动，离不开前瞻性的设计理念指引，离不开设计教育和人才培养的保障。因此，带着对新质生产力的探索开展教学，成为工业设计学院融贯宏观环境和现实需求的常态。这种探索不仅体现在设计新方向、新命题、新理念、新风格等方面，更主张深层触达设计教育的基础性（如思维的、方法的、实践的、历史的）方面。探索性的设计教学不仅扩充了设计知识的信息量，更探讨了设计知识的非信息内容，将设计领域知识的深层问题置于表层予以考虑。将看似对立的事物整合在一个相互关联的网络之中，体现了更为乐观和进取的态度。使教学相长、学学相长成为一种可能，也为面对未来的变革添注了更多的信心。
In the first phase, the School of Industrial Design exhibited 192 pieces of works by 245 students from the Department of Industrial and Interactive Design, Department of Product Design, and Department of Art Design.
New quality productivity is a kind of productivity based on scientific and technological innovation. Its important components, "digital productivity", "green productivity" and "blue productivity", are inseparable from the strong promotion of design innovation, the guidance of advanced design concepts, and the support of design education and talent training. Therefore, teaching with the exploration of new quality productivity has become the norm for the School of Industrial Design to integrate the macro environment and actual needs. This exploration is not only reflected in new design directions, new propositions, new concepts, and new styles, but also advocates deep access to the basic aspects of design education (such as thinking, methods, practice, and history). Exploratory design teaching not only expands the amount of knowledge in design, but also explores the non-information content of design knowledge, and puts the deep problems of design field knowledge on the surface for consideration. Integrating seemingly contradictory things into an interconnected network reflects a more optimistic and enterprising attitude. It makes it possible for teaching and learning to grow together, and also adds more confidence to face future changes.
作者姓名：张博栩、吴应达、赵子轩、王明志、朱千韵
Authors: Zhang Boxu, Wu Yingda, Zhao Zixuan, Wang Mingzhi, Zhu Qianyun
作品名称：《XDOSING拼豆机》
Title: "XDOSING Bean Machine"
作品材料：铝合金、ABS
Material: Aluminum alloy, ABS
作品尺寸：195x189~709x365 cm
Size: 195x189~709x365 cm
指导老师：郜洵、刘再行、袁泽强
Supervisors: Gao Xun, Liu Zaixing, Yuan Zeqiang
作品介绍：随着精品咖啡文化的兴起，人们对咖啡的品质和风味有了更高要求。传统的咖啡拼配方法虽能够创造出多样化的风味，但难以解决拼配稳定性的问题，原因在于大批量的拼配豆无法完全均匀混合，导致了单份咖啡味道不一致，小剂量手工拼配一定程度上解决了拼配稳定性问题，但费时费力，难以商业化。XDosing拼豆机通过精准控制每种豆子的比例，采用“自动化现拼”技术，可按需即时拼配咖啡豆，每次只拼配足够一杯或多杯的份量，确保每一杯出品都能达到预设标准。这不仅满足了精品咖啡对美味稳定性的追求，也为创新风味组合提供了便利，为精品咖啡的拼配带来了革命性改变。
Introduction: With the rise of boutique coffee culture, people have higher requirements for the quality and flavor of coffee. Although the traditional coffee blending method can create a variety of flavors, it is difficult to solve the quality problem of blending. The reason is that large quantities of blended beans cannot be completely evenly mixed, resulting in various taste of a single serving of coffee. Small-dose manual blending solves the problem in a way, but it is time-consuming and labor-intensive and difficult to commercialize. The XDosing bean blending machine can blend coffee beans instantly on demand by precisely controlling the proportion of each bean and using "automatic instant blending" technology. It only blends enough for one or more cups each time to ensure that each cup of product meets the preset standards. This not only meets the boutique coffee's pursuit of delicious stability, but also provides convenience for innovative flavor combinations, bringing revolutionary changes to the blending of boutique coffee.
作者姓名：龙豪轩
Authors: Long Haoxuan
作品名称：《TITA--夕阳养老院双轮足巡查机器人》
Title: TITA - Sunset Nursing Home Two-wheeled Patrol Robot
作品材料：金属、树脂、亚克力
Material: Metal, resin, acrylic
作品尺寸：612 x 536 x 594 mm
Size: 612 x 536 x 594 mm
指导老师：王涛、余汉生、敖彩鸣
Supervisors: Wang Tao, Yu Hansheng, Ao Caiming
作品介绍：养老院双轮足巡查机器人TITA-夕阳是一款在养老院中高效巡查老人安全与健康的机器人，设计旨在缓解护理人员短缺的问题。该款机器人运用双轮足移动平台，能在养老院各种复杂环境下高效行走和灵活越障，配合感应小房门，能变形并进出老人房间巡查。它搭载无接触式传感器，能够识别老人动作姿态、检测生命体征等安全健康信息，并具有老人异常紧急状况报警、装载药盒辅助救援、信息管理APP与子女互联的功能。
Introduction: The nursing home two-wheeled patrol robot TITA-Sunset is a robot that efficiently monitors the safety and health of the elderly in nursing homes. It is designed to deal with the problem of nursing staff shortage. The robot uses a two-wheeled mobile platform to efficiently walk and flexibly overcome obstacles in various complex environments in nursing homes. With the help of a small sensing door, it can transform and enter and exit the elderly's room. It is equipped with a contactless sensor that can identify the elderly's movements and postures, detect vital signs and other safety and health information, and has the functions of alarming for abnormal emergency conditions of the elderly, loading medicine boxes to assist in rescue, and connecting with the offspring through an information management APP.
作者姓名：陈政熙、苏达祥
Authors: Chen Zhengxi, Su Daxiang
作品名称：《适界-中医理疗智能按摩产品系列》
Title: "Suitable World - Intelligent Chinese Medicine Therapy Massage Product Series"
作品材料：综合材料
Material: mixed Material
作品尺寸：36x21cm；26x11cm；30x25cm；30x50cm
Size: 36x21cm; 26x11cm; 30x25cm; 30x50cm
指导老师：安娃、邹立新
Supervisors: An Wa, Zou Lixin
作品介绍：该系列是针对当代白领因长期伏案工作出现肩颈、腰背疼痛、失眠等健康问题而设计的智能按摩产品，包括充气按摩背带、智能温控眼罩、智能按摩腰带、辅助睡眠套装。此系列产品通过将中医穴位按摩知识与现代按摩技术结合，达到最佳按摩效果，让用户能随时舒缓身心。同时按摩助手对用户进行坐姿、久坐提醒和疲劳自动按摩，帮助用户更好的调整身体状态。最后用户可以通过app收集用户日常健康数据，推送健康计划，帮助用户养成健康生活习惯。
Introduction: This series of smart massage products is designed for contemporary white-collar workers who suffer from health problems such as shoulder and neck pain, back pain, and insomnia due to long-term desk work. It includes inflatable massage straps, smart temperature-controlled eye masks, smart massage belts, and sleep aids. This series of products combines the knowledge of acupoint massage in traditional Chinese medicine with modern massage technology to achieve the best massage effect, allowing users to relax their body and mind at any time. At the same time, the massage assistant reminds users of their sitting posture and long-term sitting problem, and automatically massages for fatigue, helping users to better adjust their physical condition. Finally, users can collect their daily health data through the app, push health plans, and help users develop healthy living habits.
作者姓名：王凯
Author: Wang Kai
作品名称：《2050本田乐月》
Title: 2050 Honda Le Moon
材料：abs、树脂、泡沫
Materials: abs, resin, foam
尺寸：1050mm*712mm*625mm
Size: 1050mm*712mm*625mm
指导老师：李勇、郝瑞敏、刘夫永、顾莉
Supervisors: Li Yong, Hao Ruimin, Liu Fuyong, Gu Li
作品介绍：随着人类对太空的探索不断深入，月球基地作为人类在太空中的第一个永久性定居点的构想逐渐变为现实。本田公司以其创新和可靠性的设计理念，致力于为太空探索提供先进的交通工具。2050 年本田“Le Moon”月面出行载具的概念设计用以满足月球基地居民的交通需求。该设计融合本田的品牌历史和太空探索的需求，将克莱因瓶与柠檬结构相结合，旨在带给人们在外太空生活的新乐趣，为月面出行带来全新的体验。
Introduction: As human beings continue to explore space, the idea of a lunar base as the first permanent settlement of human beings in space is gradually becoming a reality. Honda is committed to providing advanced transportation for space exploration with its innovative and reliable design concepts. The concept design of Honda's "Le Moon" lunar travel vehicle in 2050 is designed to meet the transportation needs of residents of the lunar base. The design combines Honda's brand history and the needs of space exploration, combining Klein bottles with lemon structures, aiming to bring new fun to people living in outer space and a new experience for lunar travel.
作者姓名：陈沛羽
Author: Chen Peiyu
作品名称：强迫症实验室
Title: Obsessive-compulsive Disorder Laboratory
作品材料：光敏树脂/综合材料
Material: Photosensitive resin/comprehensive Material
作品尺寸：132*119*122mm/120*120*30mm/253-598*280*20mm
Size: 132*119*122mm/120*120*30mm/253-598*280*20mm
指导老师：赵斌
Supervisor: Zhao Bin
作品介绍：强迫症作为一种严重的心理疾病，常常让患者陷入无法控制的强迫思维与行为之中，因过度焦虑和恐惧而表现出反复的、刻板的强迫行为，不仅耗费大量时间和精力，也给他们的日常生活带来了极大的困扰。借鉴心理学、医学和设计学等多学科知识，深入了解强迫症患者的心理特点和治疗需求，针对强迫症患者设计出一系列更符合他们使用习惯和心理预期的日常生活脱敏用品，如闹钟、衣架、烟灰缸等，通过改变使用和交互方式，帮助患者减少对特定物品的过度依赖和焦虑反应，具有重要且积极的意义。
Introduction: As a serious mental illness, obsessive-compulsive disorder often causes patients to fall into uncontrollable obsessive thoughts and behaviors. Due to excessive anxiety and fear, they show repetitive and stereotyped compulsive behaviors, which not only wastes a lot of time and energy, but also causes great trouble to their daily lives. Drawing on multidisciplinary knowledge such as psychology, medicine and design, we have a deep understanding of the psychological characteristics and treatment needs of patients with obsessive-compulsive disorder, and designed a series of daily desensitization products for patients with obsessive-compulsive disorder that are more in line with their usage habits and psychological expectations, such as alarm clocks, hangers, ashtrays, etc. By changing the way of use and interaction, it helps patients reduce excessive dependence on specific items and anxiety reactions, which has important and positive significance.
视觉艺术设计学院
School of Visual Arts Design
视觉艺术设计学院在第一期中呈现了视觉传达设计、艺术与科技、数字媒体艺术专业195位学生，74件（组）作品。
艺术与设计，都需要也旨在培养发展人的主体性，从内在的思维、观念到外在的作品、风格，至于具体的工具，无论是画笔、电脑、泥土还是AI，都只是艺术家、设计师用以表达的方式与桥梁。因此，面对越来越强大的工具客体，人还是需要回到本源思考，只能用人的主体性去回应去驱动，而不是相反，也绝不能相反。在这种交互活跃甚至彼此对抗生成的过程中，无论是客体还是主体，都得到进化与升级，形成一个正向循环的状态，这也正是AI人工智能的某种底层逻辑。这同样也是毕设创作过程中作为创作主体的学生与创作指导的教师之间的逻辑与状态，展览中所呈现的最终作品，在同样的时间和条件下，能形成如此多元多样的面貌，都是创作单元的师生主体互动的结果。
如果说2023年是AI元年，希望2024年是人类在面对AI冲击之下，而激发出原本就存在着的“人之所以为人”的主体意识之年。
In the first session, the School of Visual Arts Design presented 74 works by 195 students majoring in visual communication design, art and science, and digital media art.
Art and design both need and aim to cultivate and develop human subjectivity, from internal thinking and concepts to external works and styles. As for specific tools, whether it is a brush, a computer, clay or AI, they are just ways and bridges for artists and designers to express themselves. Therefore, in the face of increasingly powerful tool objects, people still need to return to the source of thinking, and can only respond and drive with human subjectivity, not the opposite, and never the opposite. In this interactive and even antagonistic process, both the object and the subject have evolved and upgraded, forming a positive cycle, which is also a certain underlying logic of AI artificial intelligence. This is also the logic and state between students as the creative subject and teachers who provide creative guidance in the process of graduation creation. The final works presented in the exhibition can form such a diverse appearance under the same time and conditions, are the result of the interaction between teachers and students in the creative unit.
If 2023 is the first year of AI, I hope that 2024 will be the year when humans, in the face of the impact of AI, stimulate their already existing subjective consciousness of "what makes them human".
作者姓名：方志烨 郑洱汗 刘舒豪 王炜杰 温云迪
Authors: Fang Zhiye, Zheng Erhan, Liu Shuhao, Wang Weijie, Wen Yundi
作品名称：《人工直觉》
Title: Artificial Intuition
指导老师：罗保权、冯乔、彭程、黄天、黄乐晋、刘振华
Supervisors: Luo Baoquan, Feng Qiao, Peng Cheng, Huang Tian, Huang Lejin, Liu Zhenhua
作品说明：“人工直觉”是一件探索人工智能“直觉”演化的大型视听艺术装置。作品将机械臂动态运动与屏幕视觉变化相结合，分析人工智能的基础框架——神经网络和机器学习，并将这些理性技术逻辑转化为视觉艺术的创作路径。作品以循环不断的实验形式，引入多模态现实数据，并将其转换为叙事元素，辅以机械臂动态表现人工智能的“身体语言”，屏幕则成为窥视其意识演变的窗口。
作品不仅是对人工智能与意识边界的探索，更是技术与情感融合的艺术展现。它通过对人与机器、创造者与工具之间关系的再造，探讨人工智能语境下人类社会新的认知和价值伦理，激发观者对人工智能未来可能性的深层思考。
Introduction: "Artificial Intuition" is a large-scale audio-visual art installation that explores the evolution of artificial intelligence's "intuition". The work combines the dynamic movement of the robotic arm with the visual changes on the screen, analyzes the basic framework of artificial intelligence - neural networks and machine learning, and transforms these rational technical logics into the creative path of visual art. The work introduces multimodal real-world data in a cyclical experimental form and converts it into narrative elements, supplemented by the dynamic expression of the "body language" of artificial intelligence by the robotic arm, and the screen becomes a window to peek into the evolution of its consciousness.
The work is not only an exploration of the boundaries between artificial intelligence and human consciousness, but also an artistic display of the integration of technology and emotion. It explores the new cognition and value ethics of human society in the context of artificial intelligence by reshaping the relationship between humans and machines, creators and tools, and inspires viewers to think deeply about the future possibilities of artificial intelligence.
作者姓名：何茵仪，黄欣熙，刘恒宇
Authors: He Yinyi , Huang Xinxi, Liu Hengyu
作品名称：《读白》
Title: Reading White
作品材料：喷绘，纸本
Material: inkjet, paper
作品尺寸：大装置100cm×600cm，小装置21cm×28.5cm
Size: Large installation 100cm×600cm, Small installation 21cm×28.5cm
指导老师：戴秀珍，任小红
Supervisors: Dai Xiuzhen , Ren Xiaohong
作品介绍：人类社会正处于加速度改变中，所有人不得不跟随时代的巨大钟摆而运转。哲学家韩炳哲在其著作《倦怠社会》中提出：人们应当为自己创造出神圣时间，允许自己享受深度无聊，体验‘无用之物’。
阅读——涂抹——重新创作。我们尝试在文学与艺术中去体验深刻乏味，探讨我们与语言之间的关系，寻回沉思能力，当艺术与文学结伴，透过书页间文字的涂抹，萃取语句精髓，审视其言语之力，在书籍中创造无限的语用可能性。
Introduction: Human society is changing at an accelerated pace, and everyone has to follow the huge pendulum of the times. Philosopher Han Bingzhe proposed in his book "The Burnout Society" that people should create sacred time for themselves, allowing themselves to enjoy deep boredom and experience "useless things".
Reading - smearing - re-creation. We try to experience profound boredom in literature and art, explore the relationship between us and language, and find the ability to meditate. When art and literature go hand in hand, we can extract the essence of sentences through the smearing of words between pages, examine the power of language, and create infinite pragmatic possibilities in books.
作者姓名：彭诗蕙、郑富洋、罗家杰、黄智棋
Authors: Pang Shihui, Cheng Fuyang, Luo Jiajie, Huang Zhiqi
作品名称：《红林重塑》
Title: Red Forest Remodeling
作品材料：综合材料
Material: mixed Material
作品尺寸：2mx5m，高3.6m
Size: 2mx5m, height 3.6m
指导老师：余胜钊、李拥军、林畅、黄露莎
Supervisors: Yu Shengzhao, Li Yongjun, Lin Chang, Huang Lusha
作品介绍：作品探讨了人们与周遭环境的变化之间的微妙关系。它聚焦于广东沿海红树林宏观分布的变化。重现了缓慢变化的沿海红树林生态，并通过对景观的重塑，展现人们对环境变化感知的麻木，以及记忆的模糊。从而向观众提出一个问题：你心中的那片海岸是否还是原来的样子？
Introduction: This work explores the subtle relationship between people and the changes in the surrounding environment. It focuses on the changes in the macroscopic distribution of mangroves along the coast of Guangdong. It reproduces the slowly changing ecology of coastal mangroves and, through the reshaping of the landscape, shows people's numbness to environmental changes and the blurring of their memories. This raises a question for the audience: Is the coast in your mind still the same as before?
作者姓名：罗玉玲、曾佳丽、邹昕言、徐斯宁、麦倩菲
Authors: Luo Yuling, Zeng Jiali, Zou Xinyan, Xu Sinning, Mai Qianfei
作品名称：《向光而行》
Title: Walking Towards the Light
作品材料：高密度泡沫、轻钢龙骨、石膏板
Material: high-density foam, light steel keel, gypsum board
作品尺寸：内部装置1.5m*1.5m*5m，整体空间7m*2.5m*5m
Size: internal installation 1.5m*1.5m*5m, overall space 7m*2.5m*5m
指导老师：李维、洪荣满
Supervisors: Li Wei, Hong Rongman
作品介绍：在城中村改造的背景下，我们以线上档案和线下沉浸式空间为媒介，诉说城中村的群体记忆。这片土地是中国城市化进程的见证者，承载着无数流动与固定居民的生活轨迹，亦是岁月变迁的缩影。
我们在广东省的多个区域进行田野调查，与76位城中村居民交谈，聆听他们心中的故事与期待。在线上，我们将这些珍贵的访谈内容化作纪录片，同时扫描了居民的房间，按照阳光充沛度排列，呈现出一幢幢细窄的“高楼”，展示着房屋的结构与阳光的分布。每一次点击，“高楼”中的房间如同打开了一个故事盒子，展现出独特的人生轨迹。在线下，我们筑起了一个外白内黑的巷子，弯弯曲曲，通向一个被夹缝包裹的装置，装置的背后，一块大屏模拟城中村的天空，一束光投射而下，引领人们向光前行。当触碰到光束，屏幕逐渐明亮，照亮整个空间，观者手中展现出城中村的温情画面。这一幕，仿佛城中村的居民，不断寻找着希望与温暖。
在空间的外墙，投影出线上的纪录片档案，观者可以通过触摸交互屏幕，调取他们想要了解的房间信息。这个空间不仅仅记录城中村的过往，更是一场关于希望与光明的追寻。
Introduction: In the context of urban village reconstruction, we use online archives and offline immersive spaces as a medium to tell the collective memory of urban villages. This land is a witness to China's urbanization process, carrying the life trajectories of countless mobile and fixed residents, and is also a microcosm of the changes of time.
We conducted field surveys in multiple areas of Guangdong Province, talked with 76 residents of urban villages, and listened to their stories and expectations. Online, we turned these precious interviews into documentaries, and scanned the residents' rooms, arranged them according to the abundance of sunlight, and presented a series of narrow "high-rise buildings", showing the structure of the house and the distribution of sunlight. With each click, the room in the "high-rise building" is like opening a story box, showing a unique life trajectory. Offline, we built an alley that is white outside and black inside, winding and leading to a device wrapped in a crack. Behind the device, a large screen simulates the sky of the urban village, and a beam of light is projected down, leading people to the light. When the beam is touched, the screen gradually brightens, illuminating the entire space, and the viewer shows a warm picture of the urban village in his hand. This scene is like the residents of the urban village, constantly looking for hope and warmth.
Online documentary archives are projected on the outer wall of the space, and viewers can access the room information they want to know by touching the interactive screen. This space not only records the past of the urban village, but also a pursuit of hope and light.
作者姓名：吴亚楠 黄铭茵 麻格宁
Authors: Wu Yanan Huang Mingyin Magning
作品名称：《事半“工”倍》
Title: Twice the work done with half the effort
作品材料：综合材料
Material: mixed Material
作品尺寸：5.8mx2.65m
Size: 5.8mx2.65m
指导老师：蔡燕、陈美欢
Supervisors: Cai Yan, Chen Meihuan
作品介绍：在信息过载的环境下，人们经常难以识别和评估风险与挑战，为获取最佳解决方案，不自觉陷入紧张状态，尤在小事上明显。查攻略可以提供验证的方法和技巧，降低错误风险，事半功倍。然而，但在这紧绷的心理环境下，即便小事，大部分人仍用繁琐过程，耗时耗力求“最优解”，造成了事半“工”倍的局面，消耗过度精力和时间。为此我们探讨在信息过载下查攻略的精力和时间成本，揭示追求完美与成功的焦虑与疲惫。通过设计呈现为了小事查找攻略的过程，引起人们对无意识的紧绷生活的自我思考，是否值得为了每个细节都如此费心?
Introduction: In an environment of information overload, people often find it difficult to identify and assess risks and challenges. In order to obtain the best solution, they unconsciously fall into a state of tension, especially in trivial matters. Checking strategies can provide verification methods and techniques, reduce the risk of errors, and achieve twice the result with half the effort. However, in this tense psychological environment, even for trivial matters, most people still use cumbersome processes, which are time-consuming and labor-intensive to seek the "optimal solution", resulting in a situation of twice the work with half the effort, and consuming excessive energy and time. For this reason, we explore the energy and time cost of checking strategies under information overload, revealing the anxiety and fatigue of pursuing perfection and success. By designing the process of looking for strategies for trivial matters, people are prompted to reflect on their unconscious tense lives. Is it worth it to worry so much about every detail?
城市学院
City School
城市学院共有100位学生、29件（组）作品参加本科作品展。
乡村是中国的根脉与基石，乡村振兴不仅是建设现代化经济体系的重要基础，同时也是文化传承的桥梁与生态保护的前线。本次城市学院毕业展主题为“艺术赋能乡村振兴”，在此主题下设置了“川流不息，不忘初心”和“瑶鼓相迎，千米画廊”两个选题方向，均与广州美术学院有着密切联系。“川流不息，不忘初心”设计选址福建龙岩市永定区下洋镇中川村，是广州美术学院第一任书记兼院长——胡一川先生的故乡。该主题设计聚焦于通过艺术驱动中川村“现代农业 + 乡村旅游 + 文化创意”的深度融合，其内核体现了胡一川先生坚守本土，立足民族，奔赴未来的艺术创作及教育理念。“瑶鼓相迎，千米画廊”设计选址广东阳春永宁镇横垌瑶族村。阳春是广东省“双百行动”中广州美术学院的结对帮扶对象。该村整体设计正朝着集瑶文化、中医、红色旅游、民俗体验于一体的高端旅游目标迈进，通过发展文旅经济，推动乡村振兴与民族共荣，同时保护生态环境与民族文化，精心雕琢一个展现瑶族风情与和谐生态的美丽瑶寨。
A total of 100 students and 29 pieces of works from City School showed in the undergraduate exhibition.
The countryside is the root and foundation of China. Rural revitalization is not only an important foundation for building a modern economic system, but also a bridge for cultural inheritance and the front line of ecological protection. The theme of the City School graduation exhibition is "Art Empowers Rural Revitalization". Under this theme, two topics are set up, "Continuous Flow, Never Forget the Original Endeavor" and "Yao Drum Welcome, Thousand-meter Gallery", both of which are closely related to Guangzhou Academy of Fine Arts. The design site of the first topic is Zhongchuan Village, Xiayang Town, Yongding District, Longyan City, Fujian Province, which is the hometown of Mr. Hu Yichuan, the first secretary and president of Guangzhou Academy of Fine Arts. The theme focuses on the deep integration of "modern agriculture + rural tourism + cultural creativity" in Zhongchuan Village driven by art. Its core reflects Mr. Hu Yichuan's artistic creation and educational philosophy of sticking to the local, based on the nation, and rushing to the future. The design site of "Yao Drum Welcome, Thousand-meter Gallery" is Hengdong Yao Village, Yongning Town, Yangchun , Guangdong. Yangchun is the paired assistance target of Guangzhou Academy of Fine Arts in Guangdong Province's "Double Hundred Action". The overall design of the village is moving towards the high-end tourism goal of integrating Yao culture, traditional Chinese medicine, red tourism, and folk experience. By developing the cultural and tourism economy, it will promote rural revitalization and national prosperity, while protecting the ecological environment and national culture, and carefully carving out a beautiful Yao village that showcases the Yao customs and harmonious ecology.
作者姓名：林炫骏、廖德辉、赖玮荣、钟汕
Authors: Lin Xuanjun, Liao Dehui, Lai Weirong, Zhong Shan
作品名称：《瑶望星海——横垌瑶族村露营地设计》
Title: Looking at the Sea of Stars - Design of Camping Site in Hengdong Yao Village
作品材料：展板
Material: Exhibition board
指导老师：吴宗建、林谷
Supervisors: Wu Zongjian, Lin Gu
作品介绍：“瑶望星海”露营地设计项目为游客提供极致的观星体验，位于横垌瑶族村原生态自然景区。设计遵循在地性原则，融合瑶族文化和建筑特色，选用当地可持续材料，如竹子、木材和石材，体现质朴美感。设计理念围绕着打造一个自然观星胜地，通过人与自然的和谐共生，为游客提供难忘的星空体验，同时促进当地的经济可持续。
Introduction: The "Looking at the Sea of Stars" campsite design project provides tourists with the ultimate stargazing experience. It is located in the original ecological natural scenic area of Hengdong Yao Village. The design follows the principle of locality, integrates Yao culture and architectural features, and uses local sustainable Material such as bamboo, wood and stone to reflect the rustic beauty. The design concept revolves around creating a natural star-gazing resort, providing tourists with an unforgettable starry sky experience through the harmonious coexistence of man and nature, while promoting local economic sustainability.
作者姓名：陈泽菲、陆少帆、马培鑫
Authors: Chen Zefei, Lu Shaofan, Ma Peixin
作品名称：《瑶乡风情——阳春市永宁镇横垌村综合文化中心设计》
Title: Yao Village Customs - Design of the Comprehensive Cultural Center of Hengdong Village, Yongning Town, Yangchun City
作品材料：展板
Material: Exhibition board
指导老师：蔡同信、吴宗建、李泰山
Supervisors: Cai Tongxin, Wu Zongjian, Li Taishan
作品介绍：我们的设计灵感取自于“一叶扁舟”一词。将抽象的名词化作具象的“扁舟”与“树叶”，贯穿于整座建筑的设计之中。将选址的原村委建筑作为研究改造对象，通过围绕建筑主体建立廊道与风雨桥，从不同维度植入灵感概念，使得建筑成为一个与环境相呼应的有机整体。期望村民与游客能从此地，感受到建筑与自然的整体和谐之美。
Introduction: Our inspiration comes from the term "a small boat with a leaf". The abstract noun is transformed into a concrete "boat" and "leaf", which runs through the design of the entire building. The original village committee building is selected as the research and transformation object. By building corridors and wind and rain bridges around the main body of the building, the inspiration concept is implanted from different dimensions, making the building an organic whole that echoes the environment. It is hoped that villagers and tourists can feel the overall harmonious beauty of architecture and nature from this place.
作者姓名：甄嘉琪、徐如、张凯燕、李乔
Authors: Zhen Jiaqi, Xu Ru, Zhang Kaiyan, Li Qiao
作品名称：《光影流动·寻他--胡一川纪念展厅》
Title: Flowing Light and Shadows, Looking for Him - Hu Yichuan Memorial Exhibition Hall
作品材料：展板
Material: Exhibition board
指导老师：么冰儒、钟志军
Supervisors: Mo Bingru, Zhong Zhijun
作品介绍：遥望每个人，脑海里总有处模糊而执着的记忆，关乎清风与原野，关乎泥土与山林。
本设计选址位于胡一川先生家乡--中川村，将建筑比喻成胡一川，遥望养育自己的村落。建筑具体位于一片田野之上，意在描绘出田园牧歌般的意境——“田野里的光影迷宫”。通过光与空间表达其情绪与内涵，带领人们在作品和展厅氛围中回溯胡一川一生，获得 “勇敢地跑到时代的前头当旗手”的人生追求。
Introduction: Looking at everyone from afar, there is always a vague but persistent memory in the mind, about the breeze and the fields, about the soil and the mountains.
The design site is located in Zhongchuan Village, the hometown of Mr. Hu Yichuan. The building is likened to Hu Yichuan, looking at the village that raised him. The building is located on a field, which is intended to depict an idyllic artistic conception - "a maze of light and shadow in the field". Through light and space, it expresses its emotions and connotations, leading people to look back on Hu Yichuan's life in the atmosphere of the works and exhibition hall, and gain the life pursuit of "bravely running to the front of the times and being a standard-bearer".
作者姓名：练燕青、周君、陈梁晨、汤宁宁
Authors: Lian Yanqing , Zhou Jun, Chen Liangchen, Tang Ningning
作品名称：《中川艺术公社》
Title: Zhongchuan Art Commune
作品材料：展板：宣绒布；模型：椴木板、亚克力等
Material: Display board: velvet cloth; Model: basswood board, acrylic, etc.
指导教师：么冰儒、钟志军
Supervisors: Mo Bingru , Zhong Zhijun
作品介绍：本设计旨在打造一个集生活、艺术创作、艺术交流和艺术展览等功能于一体的融合性空间，一个住宅、商业、公共空间融合的业态复合空间。利用当地特有的艺术名人效应，结合地域元素，打造具有地域特色的艺术空间，吸引艺术家的驻扎，以促进当地文化传播和经济发展。半开放的空间形态，在保证艺术家生活的隐私性的同时，鼓励村民参与，实现艺术与乡村的互动和共融，并希望通过这个设计，展示出中川村的文化魅力，为其带来新的活力。
Introduction: This design aims to create a fusion space that integrates functions such as life, art creation, art exchange and art exhibition, and a complex space that integrates residential, commercial and public spaces. By utilizing the unique local art celebrity effect and combining regional elements, an art space with regional characteristics is created to attract artists to stay and promote local cultural dissemination and economic development. The semi-open space form, while ensuring the privacy of the artists' lives, encourages villagers to participate, realizes the interaction and integration of art and the countryside, and hopes that through this design, the cultural charm of Zhongchuan Village will be displayed and new vitality will be brought to it.
作者姓名：朱志杰、谭诗宇、杨上达、钟泽杭
Authors: Zhu Zhijie, Tan Shiyu, Yang Shangda, Zhong Zehang
作品名称：《文脉新织·乡韵共生——中川村文化中心》
Title: New Cultural Context and Rural Charm Symbiosis - Zhongchuan Village Cultural Center
作品材料：展板
Material: Exhibition board
指导老师：李泰山、蔡同信
Supervisors: Li Taishan, Cai Tongxin
作品介绍：基于村中旧长者康乐中心改造成村民活动文化中心和长者食堂，对建筑和剧场进行文化和生活方式的重塑亦在丰富生活方式和高精神需求，促进人们交流，通过元素演变，让老旧资源焕发新生，并刺激区域活性，以餐饮养活食堂，推动可持续发展。由“水平”向“垂直”拓展、由“实”的物体向“虚”的场所转化,拥有特殊的流线关系，和多样的游走体验。
Introduction: Based on the transformation of the old recreation center for the elderly in the village into a cultural center for villagers' activities and a canteen for the elderly, the reshaping of the culture and lifestyle of the building and theater also enriches the lifestyle and high spiritual needs, promotes people's communication, and rejuvenates old resources through the evolution of elements, stimulates regional activity, and feeds the canteen with catering to promote sustainable development. It expands from "horizontally" to "vertically", and transforms from "real" objects to "virtual" places, with special streamline relationships and diverse walking experiences.
研究生毕业作品展展览现场直击
Live coverage of graduate students' graduation exhibition
展览作品速递
Exhibition Works Express
绘画艺术学院
School of Painting and Drawing
2024年，绘画艺术学院共有100名硕士研究生参加毕业展。在导师们的悉心指导下，同学们通过长期的艺术创作实践，呈现了一批优秀的毕业作品。这些作品体现了多元化的艺术追求，一方面展现了扎实的绘画功底和对传统的传承，另一方面更多的是反映年轻一代对图像的敏感和对绘画新的理解。他们对于生活的体验和观念的表达，通过更加自由的绘画图式，大胆的画面形式和媒材的探索表达出来，体现了广州美术学院绘画艺术学院一贯的开放包容、自由探索的学术主张。
In 2024, a total of 100 postgraduate students from the School of Painting and Drawing participates in the graduation exhibition. Under the careful guidance of their tutors, the students have presented a number of excellent graduation works through long-term artistic creation practice. These works reflect diversified artistic pursuits. On the one hand, they show solid painting skills and inheritance of tradition, and on the other hand, they reflect the young generation's sensitivity to images and new understanding of painting. Their expression of life experience and concepts is expressed through free painting patterns, bold picture forms and exploration of media, reflecting the consistent academic proposition of openness, tolerance and free exploration of the School of Painting and Drawing of Guangzhou Academy of Fine Arts.
油画系
Department of Oil Painting
作品名称：《Shoes》
Title: Shoes
作者姓名：杨进昌
Author: Yang Jinchang
材质/类型：布面油画
Material/Type: Oil on canvas
指导教师：郭祖昌
Supervisor: Guo Zuchang
尺寸：200cm×300cm
Size: 200cm×300cm
作品介绍：社会如同一个大型剧场，我们身处一种自我选择与被选择的状态中，是扮演者也是观赏者，个体成为一个混杂着各种身份信息的复合体，我用不同款式的鞋子构建一种既真实又虚假的视觉图景，以此来探讨个体与社会的关系。
Introduction: The society is like a large theater. We are in a state of self-selection and being selected. We are both actors and viewers. The individual becomes a complex with various identity information. I use different styles of shoes to construct a visual image that is both real and false, in order to explore the relationship between the individual and society.
作品名称：《按E脱离载具》《按E进行互动》
Title: "Press E to leave the vehicle" "Press E to interact"
作者姓名：申思
Author: Shen Si
材质/类型：布面油画
Material/Type: Oil on canvas
指导教师：邓箭今
Supervisor: Deng Jianjin
尺寸：120cm×150cm
Size: 120cm x 150cm
作品介绍：虚拟世界作为当代人构建生活的一部分，我们的部分情感无可避免地建立在虚拟世界之上，由符号衍生出的情感，通过符号表达，且缺乏对于具体“所指”的体验，本系列创作集中于对该现象的讨论。
Introduction: The virtual world is a part of the lives of contemporary people. Some of our emotions are inevitably built on the virtual world. Emotions derived from symbols are expressed through symbols and lack the experience of specific "referents". This series of works focuses on the discussion of this phenomenon.
作品名称：《这里休息一下》
Title: Take a break here
作者姓名：谢乐颐
Author: Xie Leyi
材质/类型：布面综合材料
Material/Type: Cloth mixed Material
指导教师：刘可
Supervisor: Liu Ke
尺寸：76cm×95cm
Size: 76cm×95cm
作品介绍：一个女人形象，其身体不断膨胀和扩大，已经与周围的环境交错融合。她的指向和意义在不断穿梭中模糊和瓦解，暗示着个体与环境之间的无法分割的联系，以及身份和自我概念的动态变化。这幅作品挑战着观者对身体、空间和意义的固有认知，引发对自我认知和环境互动的思考。
Introduction: A female figure, whose body is constantly expanding, has become intertwined with the surrounding environment. Her direction and meaning are blurred and disintegrated in the constant shuttling, suggesting the inseparable connection between the individual and the environment, as well as the dynamic changes in identity and self-concept. This work challenges the viewer's inherent cognition of the body, space and meaning, and triggers thinking about the interaction between self-cognition and environment.
作品名称：《静夜思》
Title of work: Quiet Night Thoughts
作者姓名：张健
Author: Zhang Jian
材质/类型：布面油画
Material/Type: Oil on canvas
指导教师：林锋
Supervisor: Lin Feng
尺寸：130cm×195cm
Size: 130cm×195cm
作品介绍：毕业创作延续一直以来关注的安静的、边缘的、时常经过却不曾在意的地方。这副描绘的是寂静夜晚一处灯光下路边的建筑，有人工草坪，有围栏，有路通过但是被围栏铁门封住。作品名《静夜思》，顾名思义，“静夜”就是安静的夜晚，“思”可以有更多的解读，使观众产生联想。
Introduction: This graduation work continues the focus on quiet, marginal places that I often pass by but never pay attention to. This painting depicts a building on the roadside under a light at a quiet night, with artificial lawns, fences, and a road that passes through but is blocked by a fence and iron gate. The work is called "Quiet Night Thoughts", as the name suggests, "Quiet Night" means a quiet night, and "Thoughts" can be interpreted in more ways, which can make the audience associate.
作品名称：《失乐园paradise lost》
Title: Paradise Lost
作者姓名：饶蓝
Author: Rao Lan
材质/类型：综合材料、陶瓷
Material/Type: Mixed Material, ceramic
指导教师：邓箭今
Supervisor: Deng Jianjin
尺寸：120cm×200cm、185cmx55cmx15cmx4
Size: 120cm×200cm, 185cmx55cmx15cmx4
作品介绍：创作主题是《失乐园》中大天使路西法的经历，从他辉煌盖过繁星直至堕落成引诱亚当夏娃吃下禁果的大蛇，“悲剧就是将一切美好的东西毁灭给人看”这个角色充满了悲剧的色彩，无论是路西法还是亚当夏娃到最后都一一失去了本属于自己的位置，但我却不想营造出一种悲哀的结局，经过命运长河的洗礼故事中的人物都可以掌控自己的命运。我创作这幅作品时的内心想法是，面对这个浮躁的社会有多少人能看清自己居于什么位置，面对繁花似的物质世界能回归自己的本心，坚持自己内心的情感不被动摇。
Introduction: The theme of the work is the experience of the Archangel Lucifer in Paradise Lost, from his glory overshadowing the stars to his fall into a serpent that tempted Adam and Eve to eat the forbidden fruit. "Tragedy is to destroy all beautiful things for people to see." This character is full of tragic colors. Both Lucifer and Adam and Eve lost their own positions in the end, but I don't want to create a sad ending. After the baptism of the long river of fate, the characters in the story can control their own destiny. When I created this work, I thought to myself, facing this impetuous society, how many people can see clearly where they are, facing the material world like flowers, can return to their original hearts, and insist on their inner feelings without being shaken.
作品名称：《世界的意义就在于事与愿违》
Title: The Meaning of the World is that Things Go Against Our Will
作者姓名：王易易
Author: Wang Yiyi
材质/类型：布面综合材料
Material/Type: Cloth mixed Material
指导教师：刘可
Supervisor: Liu Ke
尺寸：50cm×50cm×18
Size: 50cm×50cm×18
作品介绍：通过不同色彩之间的组织与修改，探讨理性边界。
Introduction: Explore the boundaries of rationality through the organization and modification of different colors.
作品名称：《渔港旭日》
Title: Rising Sun over the Fishing Port
作者姓名：梁颢天
Author: Liang Haotian
材质/类型：布面油画
Material/Type: Oil on canvas
指导教师：谢楚余
Supervisor: Xie Chuyu
作品介绍：使用现实主义的手法来描绘广东渔港捕鱼归来在岸边鱼市交易的场景。黎明刚过，明媚的阳光打在渔民的笑容之上，预示着他们未来生活越来愈好。以此来记录老中青三代渔民的辛勤与收获，以及广东渔港事业蓬勃发展的时代见证与缩影。
Introduction: This work uses realistic techniques to depict the scene of fishermen trading at the shore in Guangdong fishing port. Just after dawn, the bright sunshine shines on the smiles of the fishermen, indicating that their future life will be better and better. This work records the hard work and harvest of the three generations of fishermen, as well as the witness and epitome of the booming development of Guangdong fishing port.
作品名称：国产油画颜料年代性研究
Title: Study on the Age of Domestic Oil Paints
作者姓名：苏奕楠
Author: Su Yinan
材质/类型：综合材料
Material/Type: Mixed Material
指导教师：贾鹏
Supervisor: Jia Peng
尺寸：21cm×33cm×35
Size: 21cm×33cm×35
作品介绍：本次研究通过使用X射线荧光光谱仪、高光谱仪对两组国产油画颜料参照样品进行成分检测。结果表明，使用当前国产油画颜料去伪造二十世纪九十年代之前的中国油画，能够被检测颜料所含物质成分的方式所识别。
Introduction: This study uses X-ray fluorescence spectrometer and hyperspectrometer to test the composition of two groups of domestic oil paint reference samples. The results show that the use of current domestic oil paints to forge Chinese oil paintings before the 1990s can be identified by testing the composition of the pigments.
版画系
Department of Printmaking
作品名称：《史鉴·和平系列》
Title: History and Peace Series
作者姓名：周世佳
Author: Zhou Shijia
材质/类型：石版画
Material/Type: Lithograph
指导教师：宋光智
Supervisor: Song Guangzhi
尺寸：72×58cm×3
Size: 72×58cm×3
作品介绍：战争与和平是人类最为普遍关注的问题之一，这套作品是关于战争与和平的反思和提问，并通过石版画特有的语言方式，以书为载体，把与战争、和平相关的事物植入图像的框架中，形成直指心灵、具有物性和质感的视觉图像，使人在视觉阅读中代入战争与和平的思考。回顾历史，战争给人类带来无数的灾难，渴望和平是我们每个个体的心愿，更应是全人类共同的愿望。
Introduction: War and peace are one of the most common issues of concern to mankind. This set of works is a reflection and question about war and peace. Through the unique language of lithographs and books as carriers, things related to war and peace are implanted into the framework of images, forming visual images that go straight to the heart and have materiality and texture, allowing people to think about war and peace in visual reading. Looking back at history, war has brought countless disasters to mankind. The desire for peace is the wish of each of us, and it should be the common wish of all mankind.
作品名称：《新家园》
Title: New Home
作者姓名：叶文熙
Author: Ye Wenxi
材质/类型：石版画
Material/Type: Lithograph
指导教师：郑星球
Supervisor: Zheng Xingqiu
材质/类型：石版画
Material/Type: Lithograph
尺寸：180cm×110cm
Size: 180cm×110cm
作品介绍：红树林因其独特的生态功能和美丽的自然景观，被赋予了“海岸卫士”“海洋绿肺”的美誉，人们享受了大自然的馈赠，也应积极参与自然生态的治理，尊重自然、保护环境，构建人与自然和谐共生的生态新空间。本作品传达了人与自然共生共存，良性循环的发展理念。
Introduction: Mangroves are known as "coastal guards" and "green lungs of the ocean" for their unique ecological functions and beautiful natural landscapes. People enjoy the gifts of nature and should also actively participate in the management of natural ecology, respect nature, protect the environment, and build a new ecological space where people and nature coexist harmoniously. This work conveys the development concept of symbiosis and benign cycle between man and nature.
作品名称：《扫码时代》系列
Title: "Scanning Code Era" Series
作者姓名：冯志敏
Author: Feng Zhimin
材质/类型：综合版画
Material/Type: Mixed Print
指导教师：李全民
Supervisor: Li Quanmin
尺寸：50cm×107cm×2、78cm×107cm
Size: 50cm×107cm×2, 78cm×107cm
作品介绍：便利快捷成为人民的生活主旋律，一群又一群、不同职业的人，因为一个外卖柜扫码聚集在一起，就像是赴一场时代宴会，他们前仆后继地走来、一波又一波，像极了时代的浪潮。
Introduction: Convenience and speed have become the main theme of people's lives. Groups of people from different professions gather together to scan the code at a takeaway cabinet, just like attending a banquet of the times. They come one after another, wave after wave, just like the tide of the times.
作品名称：《不逝的记忆-黄新波的木刻故事》系列组画
Title: "Eternal Memory - Huang Xinbo's Woodcut Stories" Series of Paintings
作者姓名：李莉
Author: Li Li
材质/类型：胶版、木版、数码绘画
Material/Type: Offset, woodblock, digital painting
指导教师：肖勇
Supervisor: Xiao Yong
尺寸： 95cm×150cm（单组尺寸）
Size: 95cm×150cm (single set size)
作品介绍： 黄新波，是鲁迅倡导的新兴版画运动的开拓者之一。本创作以多格漫画的形式表现黄新波的木刻创作道路。文本选自《黄新波纪念文献集》，四组画分别为：少年时代的新波、 奔赴上海的新波、抗战烽火与新波、人间画会与新波，四个主题。
Introduction: Huang Xinbo is one of the pioneers of the new printmaking movement advocated by Lu Xun. This work uses a multi-frame comic to show Huang Xinbo's woodcut creation path. The text is selected from the "Huang Xinbo Memorial Document Collection". The four groups of paintings have four themes: Xinbo in his youth, Xinbo going to Shanghai, Xinbo and the flames of the Anti-Japanese War, and Xinbo and the Human Painting Society.
作品名称：《瞬间》系列
Work: "Moments" series
作者姓名：邵楠
Author: Shao Nan
材质/类型：水印木刻
Material/Type: Watermark Woodcut
指导教师：顾亦鸣
Supervisor: Gu Yiming
尺寸：《瞬间》之一80cm× 65cm
Size: Moment No. 1 80cm× 65cm
《瞬间》之二80cm×65cm
Moment No. 2 80 cm×65cm
《瞬间》之三80cm×80cm
Moment No. 3 80 cm×80cm
作品介绍：当我跳入泳池缓缓下沉的瞬间，眼中的世界变形、扭曲，身体失重，脑袋昏沉，耳边沉闷却又异常清晰，这种奇妙的感觉让我觉得这个世界是不真实的，随之是被拉回现实世界形成的巨大落差感。这种恍忽与真实的交错感带来了这一系列的作品。
Introduction: When I jumped into the swimming pool and slowly sank, the world in my eyes became deformed and distorted, my body lost weight, my head felt dizzy, and my ears were dull yet unusually clear. This wonderful feeling made me feel that this world was unreal, and then I felt a huge gap when I was pulled back to the real world. This interweaving feeling of daze and reality brought about this series of works.
作品名称：《银河系漫游指南》系列
Title: The Hitchhiker's Guide to the Galaxy series
作者姓名：贺心慧
Author: He Xinhui
材质/类型：数码喷绘
Material/Type: Digital inkjet printing
指导教师：罗必武
Supervisor: Luo Biwu
尺寸：52cm×37.5cmx3，37.5cm×52cm，24cm×17cm，21cm×
42cm
Size: 52cm×37.5cmx3, 37.5cm×52cm, 24cm×17cm, 21cm×42cm
作品介绍：取材于《银河系漫游指南》一书中主人公在神秘莫测的宇宙中的奇幻之旅，展现光怪陆离的异星景象。
Introduction: Based on the protagonist's fantastic journey in the mysterious universe in the book "The Hitchhiker's Guide to the Galaxy", it presents bizarre and strange alien scenes.
作品名称：《 归来》系列
Title: Return Series
作者姓名：黄杰晖
Author: Huang Jiehui
材质/类型：平版画
Material/Type: Lithography
指导教师：郑星球
Supervisor: Zheng Xingqiu
尺寸：46 cm×114 cm，46 cm(高）
Size: 46 cm x 114 cm, 46 cm (height)
作品介绍:“归来的盛典，我也想参与其中”。作品以近年国内发生的野生动物“归来”事件（如云南北迁南归象群事件、沌口大桥江豚重现事件等）为灵感进行创作。
Introduction: "I want to participate in the return ceremony of wild animals." The work is inspired by the "return" events of wild animals that have occurred in China in recent years (such as the elephant herds migrating north and south in Yunnan, and the reappearance of finless porpoises at the Zhuankou Bridge, etc.).
作品名称：《镜花》
Title: Flowers in the Mirror
作者姓名：邓灵康
Author: Deng Lingkang
材质/类型：多媒体、布面油画、陶瓷
Material/Type: Multimedia, oil on canvas, ceramic
指导教师：谭秀江
Supervisor: Tan Xiujiang
尺寸：100cm×70cm
Size: 100cm×70cm
作品介绍：该作品基于陶瓷人偶进行系列衍生，围绕胚胎母体到次生体之间的联系进行延展——通过精巧的人偶雕塑、绘画与数字媒体的形式，借由人偶形象探索自我生长的不同状态。
Introduction: This work is derived from a series of ceramic dolls, and extends around the connection between the embryonic mother and the secondary body - through the form of exquisite doll sculptures, paintings and digital media, the doll image is used to explore the different states of self-growth.
水彩画系
Watercolor Department
作品名称：《游戏——我们一起构建》
Title: "Games - We Build Them Together"
作者姓名：朱秋禅
Author: Zhu Qiuchan
材质/类型：纸本水彩
Material/Type: Watercolor on paper
指导教师：陈朝生
Supervisor: Chen Chaosheng
尺寸：135cm×350cm
Size: 135cm×350cm
作品介绍：我的创作是以游戏为蓝本，围绕人与人，人与环境，个体与群体间的关系展开的。通过手部动作和物的组合，用几何的图形搭建虚拟的剧场，用写实的手法呈现，将作品以一种故事情节的发展进行演练，是对未知的探讨以及真实与非真实的思辩。
Introduction: My creation is based on games, and revolves around the relationship between people, people and the environment, and individuals and groups. Through the combination of hand movements and objects, I use geometric figures to build a virtual theater, present it in a realistic way, and practice the development of the work as a storyline, which is an exploration of the unknown and a debate on the real and the unreal .
作品名称：《旧忆碎片》
Title: Fragments of Old Memories
作者姓名：钟逸思
Author: Zhong Yisi
材质/类型：水性综合材料
Material/Type: Water-based composite material
指导教师：王少浩
Supervisor: Wang Shaohao
尺寸：190cm× 380cm
Size: 190cm x 380cm
作品介绍：将承载着旧时记忆的物象依据个人感受进行描绘，将内心体会借助具象载体转译呈现，并通过对不同时间地点所出现的旧时物象的非逻辑性排布，使物象碎片之间产生新的联系与叙事性。
Introduction: The objects that carry old memories are depicted based on personal feelings, the inner feelings are translated and presented with the help of concrete carriers, and through the non-logical arrangement of old objects that appeared at different times and places, new connections and narratives are created between the fragments of the objects.
作品名称：《流淌的记忆》
Title: Flowing Memories
作者姓名：陈曼娴
Author: Chen Manxian
材质/类型：水性综合材料
Material/Type: Water-based composite material
指导教师：龙有忠、陈朝生
Supervisors: Long Youzhong, Chen Chaosheng
尺寸：250 cm×350cm
Size: 250 cm x 350 cm
作品介绍：《流淌的记忆》系列作品运用线性的材料语言，对物象进行破坏与重建，结合水性材料的特点，在清晰与模糊之间寻找视觉感官的平衡点。人物多变的姿态与线条的秩序感相契合，让画面停留在动与静之间。
Introduction: The "Flowing Memory" series of works uses linear material language to destroy and reconstruct objects, combining the characteristics of water-based Material to find a balance between clarity and blur. The changing postures of the characters fit in with the sense of order of the lines, allowing the picture to remain between movement and stillness.
作品名称：《城·迹》
Title: "City Traces"
作者姓名：谢琳
Author: Xie Lin
材质/类型：综合材料
Material/Type: Mixed Material
指导教师：张振江
Supervisor: Zhang Zhenjiang
尺寸：30cm×30cm×45cm
Size: 30cm×30cm×45cm
作品介绍： 作品是墙面上岁月的痕迹，是城市边缘的工业废墟，也是古村落里的声、光、影。通过反反复复涂抹与渲染，留下深深浅浅的痕迹，最终使画面呈现出略带陈旧的画风、有温度的颜色、斑驳的肌理感与独特的东方古韵。
Introduction: The work is the traces of time on the wall, the industrial ruins on the edge of the city, and the sound, light, and shadow in the ancient village. Through repeated smearing and rendering, deep and shallow traces are left, and finally the picture presents a slightly old style, warm colors, mottled texture and unique oriental charm.
作品名称：《适度循环·38℃》
Title: "Moderate Circulation · 38℃"
作者姓名：成思颖
Author: Cheng Siying
材质/类型：纸本水彩
Material/Type: Watercolor on paper
指导教师：陈海宁
Supervisor: Chen Haining
尺寸：尺寸可变
Size: Variable size
作品介绍：隐去可以直接传达信息的脸部形象，通过浸泡于浴缸中的局部躯干作为主体呈现，以对气泡的极致刻画营造氛围，让画面产生介乎于真实和虚幻之间的景致，叙述作者藏于内心深处的某种无法言语的情绪。
Introduction: The facial image that can directly convey information is hidden, and the main body is presented through a partial torso immersed in a bathtub. The extreme depiction of bubbles is used to create an atmosphere, making the picture produce a scene between reality and illusion, narrating some unspeakable emotions hidden deep in the author's heart
作者姓名：匡俊鹏
Author: Kuang Junpeng
作品名称：《踽踽而行，林木幽深》
Title: Walking Alone, the Woods Are Deep
作品材料：纸本综合材料
Material: Mixed media on paper
指导教师：陈海宁
Supervisor: Chen Haining
作品尺寸：117cmx345cm
Size: 117cmx345cm
作品介绍：“公园”的存在形态独具一格，它既有代表文明秩序的人工雕琢，又保留着原始主义的自然痕迹。这种二元性不仅展示了人类改造自然的力量，也揭示了秩序规训与野蛮生长之间的复杂矛盾。这种矛盾性为我们提供了一个审视人类与自然、现代与原始之间关系的独特视角。
Introduction: The existence of the "park" is unique. It has both artificial carvings representing civilized order and natural traces of primitivism. This duality not only demonstrates the power of human beings to transform nature, but also reveals the complex contradiction between orderly discipline and wild growth. This contradiction provides us with a unique perspective to examine the relationship between humans and nature, modernity and primitiveness.
绘画艺术基础部
Department of Basic Painting Art
作品名称：《101夜》
Title: 101 Nights
作者姓名：陈梓菁
Author: Chen Zijing
材质：综合材料
Material: Mixed Material
指导教师：李育勤
Supervisor: Li Yuqin
尺寸：21cmx30cmx100张
Size: 21cmx30cmx100 sheets
作品介绍：“无趣”的事物“有趣化”，“无意义”也可以是“有意义”。简单怪异的元素符号足以自洽，因为人类一思考，上帝就发笑。
Introduction: “Boring” things become “interesting”, and “meaninglessness” can also become “meaningful”. Simple and weird element symbols are self-consistent, because when humans think, God laughs.
作品名称：《乐园之一》《乐园之二》
Title: Paradise 1, Paradise 2
作者姓名：张璟陶
Author: Zhang Jingtao
材质/类型：木板丙烯
Material/Type: Acrylic on wood
指导教师：黄勇、罗奇
Supervisors: Huang Yong, Luo Qi
尺寸：100cm(高）× 80 cm(宽）
Size: 100cm(height)×80cm(width)
作品介绍：不同颜色的管状物交错穿插，它们在画面中纠缠，相互追逐。丰富的色彩不禁让人会想起童年的波板糖与游玩的快乐时光，画面中的元素相互呼应、缠绕、倾轧、跳跃、涌动，好似在乐园中进行一场无休止的游戏。
Introduction: Tubes of different colors interweave and intertwine, entangled and chasing each other in the picture. The rich colors can't help but remind people of the happy time of childhood lollipops and play. The elements in the picture echo, entangle, squeeze, jump and surge with each other, as if playing an endless game in the park.
作品名称：《火树银花》
Title: Fireworks and Silver Flowers
作者姓名：黄荣浩
Author: Huang Ronghao
材质/类型：综合材料
Material/Type: Mixed Material
指导教师：李育勤
Supervisor: Li Yuqin
尺寸：200 cm(高）×400 cm(宽）
Size: 200 cm (height) x 400 cm (width)
作品介绍：《火树银花》出自唐代苏味道的《正月十五夜》“火树银花合，星桥铁锁开”解释为:明灯错落，园林深处映射出璀璨的光芒有如娇艳的花朵一般，由于四处都可通行，所以城门的铁索也打开了，该系列创作始于疫情期间，也暗示在这困境寻求突破，寻找希望的光芒，画面的蓝，如歌德所形容，蓝色是一种生动的颜色，但是缺乏喜悦，可以说，它扰乱而非增添生趣，所以用它来表现画面，让两者之间有一个冲突对撞。再对整体画面的图像化，重新建构，将其具体内容简化，消减于表象的常规视觉经验的图示，营造一种特殊的视觉效果。
Introduction: "Fire Trees and Silver Flowers" comes from "The Fifteenth Night of the First Month" by Su Weidao of the Tang Dynasty. "Fire trees and silver flowers are together, and the iron locks of the star bridge are opened" is interpreted as: the lights are scattered, and the deep garden reflects the dazzling light like delicate flowers. Since it is accessible everywhere, the iron chain of the city gate is also opened. This series of creations began during the epidemic, and it also implies seeking breakthroughs in this predicament and looking for the light of hope. The blue of the picture, as described by Goethe, is a vivid color, but lacks joy. It can be said that it disturbs rather than adds interest to life, so it is used to express the picture, so that there is a conflict between the two. Then visualize the overall picture, reconstruct it, simplify its specific content, and reduce it to the icon of conventional visual experience of the appearance, creating a special visual effect.
雕塑与公共艺术学院
School of Sculpture and Public Art
雕塑与公共艺术学院13位2024届硕士研究生毕业作品在创作维度上的差异性，似乎是对“异质共时”的雕塑教育现状的最好注解。主题性雕塑作品中可以看到对雕塑本体语言的持续探索，多数作品中又可以发见材料意识在不同语境中的推进，从社会雕塑等观念意识出发所进行的艺术性社会研究、参与式艺术社会实践也参见其中，而数字技术的影响力更是随处可见。
古典雕塑的人文理性、现代雕塑的形式本体、当代雕塑的话语系统，这些异质的属性同时在一个展览中呈现，看似“无厘头”的并置，实则有其逻辑源头——那就是改革开放几十年来我们对“中国雕塑教学现代转向”的共同想象——以“形意识”激发人文理性，形成思考现代转向的基础；以“材料意识”推进形式本体，成为推动现代转向的核心媒介；以“观念意识”的自觉，作为现代转向的内在而持续的动力。
The differences in the creative dimensions of the graduation works of 13 2024 master's students of the School of Sculpture and Public Art seem to be the best annotation of the current status of sculpture education of "heterogeneous synchronicity". Thematic sculptures show the continuous exploration of the ontological language of sculpture, and most works show the advancement of material awareness in different contexts. Artistic social research and participatory art social practice based on the concept of social sculpture are also included, and the influence of digital technology can be seen everywhere.
The humanistic rationality of classical sculpture, the formal ontology of modern sculpture, and the discourse system of contemporary sculpture, these heterogeneous attributes are presented in one exhibition at the same time. The seemingly "nonsensical" juxtaposition actually has its logical source - that is, our common imagination of the "modern turn of Chinese sculpture teaching" over the decades of reform and opening up - using "form consciousness" to stimulate humanistic rationality and form the basis for thinking about the modern turn; using "material consciousness" to promote the formal ontology and become the core medium for promoting the modern turn; using the consciousness of "concept consciousness" as the internal and continuous driving force of the modern turn.
作者姓名：杨家豪
Author: Yang Jiahao
作品名称：《记忆的涟漪：越粤归侨系列》
Title: Ripples of Memory: Returned Overseas Chinese from Vietnam and Guangdong Series
作品材料：综合材料
Material: mixed Material
作品导师：张弦
Supervisor: Zhang Xian
尺寸：300cm×250cm×170cm
Size: 300cm×250cm×170cm
作品说明：作品以二十世纪七十年代末越南华侨归国为历史背景，以口述历史为素材重现了三组不同的回归故事，展现了华侨在异乡的生活、归国的心路历程，也从个人视角出发，讲述了一个关于华侨迁徙和时代变迁的故事。
Introduction: The work takes the return of overseas Chinese from Vietnam in the late 1970s as its historical background, and uses oral history as material to reproduce three different stories of return, showing the life of overseas Chinese in a foreign land and their mental journey of returning home. It also tells a story about the migration of overseas Chinese and the changes of the times from a personal perspective.
作者姓名：巩华杰
Author: Gong Huajie
作品名称：《棠溪剑歌》
Title: "Sword Song of Tangxi"
作品材料：金属、电子元器件
Material: Metal, electronic components
指导老师：张健
Supervisor: Zhang Jian
尺寸：300×500×220cm
Size: 300×500×220cm
作品介绍：作品基于河南国家级非遗手工艺棠溪宝剑锻制技艺，围绕着“为国铸剑”的主题, 通过提取与再创造将工艺流程锻打剑身转化为机械运动，锻打的声音节奏与“山字甲”联动，通过计算机算法编排形成战歌，“山字甲”热锻的色彩变化实现剑锻打声音的可视化，以表现百炼成钢、不断磨炼、不屈不挠的民族精神。
Introduction: The work is based on the Tangxi sword forging technique, a national intangible cultural heritage handicraft in Henan Province. It revolves around the theme of "forging swords for the country". Through extraction and re-creation, the process of forging the sword body is transformed into mechanical movement. The rhythm of the forging sound is linked with the "Shan Zi Jia", and a war song is formed through computer algorithm arrangement. The color changes of the hot forging of the "Shan Zi Jia" realize the visualization of the sword forging sound, in order to express the national spirit of tempering into steel, constant tempering, and indomitable spirit.
作者姓名：曹楚贤
Author: Cao Chuxian
作品名称：《双城迹》
Title: "Twin Cities"
作品材料：综合材料
Material: mixed Material
指导老师：张建
Supervisor: Zhang Jian
尺寸：200×110×40cm、110×96×120cm
Size: 200×110×40cm, 110×96×120cm
作品介绍：作者以杭州、广州两座故乡城市作为创作对象，分为“城”“迹”两个部分。“城”代表城市意象，通过解构、重组提取杭、穗两城意象建筑物的造型符号，并运用反射率极低的黑色涂料和电镀工艺模拟阳光在建筑物表面的流转变化，夜晚的黑消解了空间的纵深感，并和光照下的镜面反射效果形成强烈反差，不同光线下对城市意象的描绘加强了两座城市的轮廓；“迹”侧重个人体验，运用便携式3d扫描设备记录了“杭州—广州”往返路径，并将其形成的三维空间作为主体，与近十年作者所搭乘航班的班次、日期、座位号、起飞时间等信息相融合，实现了二维符号的时间痕迹与三维空间的路线痕迹的可视化穿插，以个人视角展现两城的联系与交织。两部分交相呼应，共同勾勒出一个与现实空间交融且可读的双城记忆。
Introduction: The author takes Hangzhou and Guangzhou, his hometowns, as the subject of his creation, which is divided into two parts: "City" and "Trace". "City" represents the image of the city. The modeling symbols of the buildings of Hangzhou and Guangzhou are extracted through deconstruction and reorganization, and the black paint with extremely low reflectivity and electroplating technology are used to simulate the flow and change of sunlight on the surface of the building. The darkness of the night eliminates the sense of depth of the space and forms a strong contrast with the mirror reflection effect under the light. The depiction of the city image under different light strengthens the outline of the two cities; "Trace" focuses on personal experience. The portable 3D scanning equipment is used to record the round-trip route of "Hangzhou-Guangzhou", and the three-dimensional space formed by it is used as the main body. It is integrated with the flight number, date, seat number, departure time and other information of the author's flights in the past ten years, realizing the visualization of the time traces of two-dimensional symbols and the route traces of three-dimensional space, showing the connection and interweaving of the two cities from a personal perspective. The two parts echo each other, jointly outlining a readable memory of the two cities that blends with the real space.
作者姓名：丁栋樑
Author: Ding Dongliang
作品名称：《十二属》
Title: Twelve genus
指导老师：夏天
Supervisor: Xia Tian
尺寸：520×30×150cm
Size: 520×30×150cm
作品介绍：将中国传统文化思想与AI算法生成技术融合。其中，“一生二、二生三、三生万物”体现了万物万象即“生命之流”的潜在真实。作品以来自然界的十二种声音为基础，生成多样的立体造型展现出不同的数字图景，经过算法的重构，展现出与自然界截然不同的形态。此作品融合了传统文化思想与现代数字技术，旨在探索在中国文化语境下，当代数字雕塑创作的可能性。
Introduction: This work combines traditional Chinese cultural ideas with AI algorithm generation technology. Among them, "One gives birth to two, two gives birth to three, and three gives birth to all things" reflects the potential truth of all things, that is, the "flow of life". The work is based on the twelve sounds of nature, generating various three-dimensional shapes to show different digital scenes. After algorithmic reconstruction, it shows a completely different form from nature. This work combines traditional cultural ideas with modern digital technology, aiming to explore the possibility of contemporary digital sculpture creation in the context of Chinese culture.
作者：刘畅
Author: Liu Chang
作品名称：《天·工系列》
Title: Heaven and Crafts Series
作品材料：综合材料
Material: mixed Material
指导教师：张弦
Supervisor: Zhang Xian
尺寸：50×50×50cm，7件
Size: 50×50× 50cm, 7 pieces
作品介绍：通过模块化的方式，将每件作品塑造成一个具有虚构倾向的真实空间，以及可在当下展示的被预测的“未来之物”，这是作者观看与理解世界的一种摹写与预知，也表现了作者对自然与人工、当下与未来的思考。
Introduction: Through a modular approach, each work is shaped into a real space with a fictional tendency, as well as a predicted "future thing" that can be displayed in the present. This is a kind of imitation and prediction of the author's observation and understanding of the world, and also expresses the author's thinking about nature and artificiality, the present and the future.
